2012
DOI: 10.1017/s0068113x12000232
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Contextualising Romano-British Lead Tanks: A Study in Design, Destruction and Deposition

Abstract: AbstractDespite being an intriguing, if obscure, series of artefacts there has been a hesitancy in academic discussion to address fully the myriad of questions raised by the design and archaeological find-spots of lead tanks from Roman Britain. This, and an uncritical acceptance that they were used by early Christians as baptismal fonts, has led to a lack of appreciation of their contribution to our knowledge of late Romano-British religion. This paper seeks to redress this via… Show more

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Cited by 6 publications
(3 citation statements)
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“…71 Ten of the tanks are decorated with a Chi-Rho monogram; others have an iota-chi, an alpha-omega, orantes, or some combination. 72 For example, the East Stoke and Flawborough tank fragments portray orantes flanking an inscription with a Chi-Rho in a circle above. 73 See the East Stoke fragment in Figure 9.…”
Section: Women Baptizers Portrayed On the Walesby Tankmentioning
confidence: 99%
“…71 Ten of the tanks are decorated with a Chi-Rho monogram; others have an iota-chi, an alpha-omega, orantes, or some combination. 72 For example, the East Stoke and Flawborough tank fragments portray orantes flanking an inscription with a Chi-Rho in a circle above. 73 See the East Stoke fragment in Figure 9.…”
Section: Women Baptizers Portrayed On the Walesby Tankmentioning
confidence: 99%
“…91 The Preshute example lies on the southern margins of the distribution of the 31 lead tanks now documented from Britain, which are dated mainly to the fourth century A.D. and possibly later. 92 They are typically circular with two separate sheets for the sides welded onto a separate base. The dimensions in this case suggest that the Preshute tank was of a similar size to others, most being between 0.5 and 1 m in diameter and having sides of 0.2 to 0.6 m in height.…”
Section: Wiltshirementioning
confidence: 99%
“…Within an architectural frame it shows three groups of figures; the central group consists of two clothed women flanking a naked woman, while the other two groups depict clothed males in cloaks and tunics. This has often been interpreted as the depiction of a baptism, with the naked catechumen being assisted to the font by two supporters (Thomas 1981: 221-225; though see now Crerar 2012). These are usually associated with baptism, despite the more widespread tradition of baptism by immersion, and seen either as fonts or vessels associated with other elements of the baptismal liturgy, such as ritual footwashing (pedilavium) (Watts 1991: 171-173).…”
Section: Baptismmentioning
confidence: 99%