Contribution of Czech Musicians to the Serbian Music in the 19th Century

Tomašević, Katarina

doi:10.4312/mz.42.1.127-137

Cited by 2 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…A majority of conductors of Serbian choirs in the second half of the nineteenth century were Czech musicians (see Tomašević 2006). The features in Danica, reported on the activities of Adolf Lifka, the leader of the singing society in Šabac and the Serbian National Theatre's orchestra in Novi Sad, and of Slavoljub Lžičar, the fi rst conductor of the Kolo society in Zagreb and the artistic leader of Pančevo's singing society (Tomandl 1938).…”

Section: Brief News On the Artistic Activities Of Singing Societiesmentioning

confidence: 99%

On music and art in the journal Danica (1860-1872)

Marjanovic

2013

Muzikologija

View full text Add to dashboard Cite

This paper deals with features and articles on music and art published in the journal Danica, in the period 1860-1872. Selected articles contain significant testimonies on the place of musical practice in the everyday life of Serbs and other Slavic people living in the Austro-Hungarian Empire in the nineteenth century. The feature articles abound with details on the artistic activities of respected individuals and singing societies, popular cultural-artistic events (besedas, balls, dances), new publications on music and other news. Several articles were dedicated to aesthetic and philosophical views on art. In a separate section of this paper, I analyze the narrative style of these articles. [Projekat Ministarstva nauke Republike Srbije, br. ON 177004: Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges]

show abstract

Section: Brief News On the Artistic Activities Of Singing Societiesmentioning

confidence: 99%

On music and art in the journal Danica (1860-1872)

Marjanovic

2013

Muzikologija

View full text Add to dashboard Cite

show abstract

Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context

Sovtić

2022

Muzikologija

View full text Add to dashboard Cite

In this paper, the territorial frameworks are set with the aim of forming a regional histor?ical synthesis dedicated to the creation of art music in Vojvodina, a synthesis that differs from those offered in previous music historiographies. It can be said that the composers who greatly contributed to the development of the musical life of the Vojvodina communities in the interwar period have made modest contributions to the ?local type? musical modernism. In the second half of the 20th century, they were involved in determining the place of ?new music? within modernism and realism in the Cold War period. The Serbian National Theatre, the Association of Composers of Vojvodina and the Academy of Arts in Novi Sad gave support to compositional practice in Vojvodina after the Second World War.

show abstract

Contribution of Czech Musicians to the Serbian Music in the 19th Century

Cited by 2 publications

References 0 publications

On music and art in the journal Danica (1860-1872)

On music and art in the journal Danica (1860-1872)

Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context

Contact Info

Product

Resources

About