2015
DOI: 10.1080/00043125.2015.11519341
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Conversations Extended: Art Education in Context

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Cited by 9 publications
(9 citation statements)
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“…Desai (2010) argues that students should develop "racial literacy to identify and critique racial discourse in popular culture, media, and other sites of visual culture" (p. 23). Kraehe, Acuff, Slivka, and Pfeiler-Wunder (2015) also note that talking about race and racism in the art classroom is one way to counter racial injustices by bringing to light the narratives of people affected by racial oppression. Nevertheless, teaching about racism is not an easy task in that it is accompanied by intellectual and emotional challenges for both teachers and students.…”
Section: Discussionmentioning
confidence: 99%
“…Desai (2010) argues that students should develop "racial literacy to identify and critique racial discourse in popular culture, media, and other sites of visual culture" (p. 23). Kraehe, Acuff, Slivka, and Pfeiler-Wunder (2015) also note that talking about race and racism in the art classroom is one way to counter racial injustices by bringing to light the narratives of people affected by racial oppression. Nevertheless, teaching about racism is not an easy task in that it is accompanied by intellectual and emotional challenges for both teachers and students.…”
Section: Discussionmentioning
confidence: 99%
“…Historically, Asian and Pacific Islanders have been featured in a typical stereotypical way in popular media (Besana et al, 2019). As many African Americans stress the negative stereotypes of Black people in media and popular culture (Kraehe & Acuff, 2021), Asian Americans also see how they have impacted our lives beyond mere jokes or entertainment. We are surprised to learn that many negative images and social vile of Asian Americans reappeared recently due to the pandemic and COVID-19 (Hussain, 2020).…”
Section: History Repeats! Anti-asian Racism and Violencementioning
confidence: 99%
“…Manifestly, the indian is an occidental misnomer, an overseas enactment that has no referent to real native cultures or communities." Vizenor, 1999, p. vii As a cisgendered white, male, artist, educator and researcher, I continue to experience my position working with those whose racial-socio-cultural-educational experience is different than mine, as I have written from and continue to define an alliance position in context with Indigenous artists, scholars, and educators (Kraehe, Acuff, Slivka, & Pfieler-Wunder, 2015;Slivka, 2015aSlivka, , 2015bSlivka, , 2016. I advance critical understandings of the construction and deployment of Whiteness in art education contexts intended to decolonize White discourses of identity politics, cultural censorship as White privilege and power (Acuff, 2018;Knight, 2006;Kraehe, Hood, & Travis, 2015) in relation to Indigenous peoples, arts, and their cultures to generate alliance positions with Indigenous-self-determining outcomes (Grande, 2004;Smith, 2012).…”
mentioning
confidence: 99%