Copyright And Freedom Of Expression: A Literature Review

Lee, Yin Harn; Laidlaw, Emily B.; Síthigh, Daithí Mac

doi:10.5281/zenodo.18132

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From Copyright To Commodification1

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2024

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“…In the late 1990s and early 2000s, much of the commentary and scholarship regarding digitally enabled creative production focused on questions of copyright and ownership (see Lee et al 2015). Digital creative content distribution arose alongside the commercial internet.…”

Section: From Copyright To Commodificationmentioning

confidence: 99%

The Work of Art in the Age of Digital Commodification

Gill,

Dorsen

2024

TDR: Drama Rev

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Digitization is taking over every sphere of life—including the arts. Through the process of digital commodity fetishism, major technology companies threaten to efface the very qualities that make creative expression—particularly the performing arts—distinct and meaningful. To resist or even question these forces, we must excavate an invisible digital politics that can displace (and replace) traditional sources of authority in the performing arts. By examining the basic mechanisms of the “creator economy,” this politics can be found and confronted—in the arts and beyond.

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Section: From Copyright To Commodificationmentioning

confidence: 99%