2002
DOI: 10.1006/jsvi.2002.5264
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Correlation Factors Describing Primary and Spatial Sensations of Sound Fields

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Cited by 14 publications
(6 citation statements)
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“…Since the ACF of the stimulus contains the same information as the power spectrum, many representations of forms that are traditionally based on recognizing spectral patterns (eg pitch of complex tones, timbres) can be performed in the time domain with temporal correlations. The correlation framework can utilize pitch, timbre, roughness, consonance, rhythm, longer time structure, and reverberations through autocorrelation and localization by cross-correlation in auditory perception (Cariani andDelgutte 1996a, 1996b;Ando 2002). It is believed that information from other modalities, such as vision, gustation, olfaction, and pain can be determined with the representational/ computational frameworks by means of temporal correlations (Cariani 2001).…”
Section: Discussionmentioning
confidence: 99%
“…Since the ACF of the stimulus contains the same information as the power spectrum, many representations of forms that are traditionally based on recognizing spectral patterns (eg pitch of complex tones, timbres) can be performed in the time domain with temporal correlations. The correlation framework can utilize pitch, timbre, roughness, consonance, rhythm, longer time structure, and reverberations through autocorrelation and localization by cross-correlation in auditory perception (Cariani andDelgutte 1996a, 1996b;Ando 2002). It is believed that information from other modalities, such as vision, gustation, olfaction, and pain can be determined with the representational/ computational frameworks by means of temporal correlations (Cariani 2001).…”
Section: Discussionmentioning
confidence: 99%
“…The purpose of the previous study (Ando et al 2001b) is to examine the effects on duration sensation (DS) of the center frequency having various bandwidths of bandpass noise. Seven paired-comparison tests were conducted using white noise and six bandpass-noise stimuli with center frequencies of 125, 250, 500, 1000, 2000, and 4000 Hz, and their selected bandwidths (Zwicker et al 1957) 80, 80, 80, 160, 320, and 640 Hz, respectively.…”
Section: Prefacementioning
confidence: 99%
“…In the case of human awareness, sound spatial perceptions are defined as a general auditory awareness of the three-dimensional sound spaces, locations and variations [2]. Because soundscape cannot be isolated from the landscape [3,4], it is always significant to a) Electronic mail: dzy@cnu.edu.cn soundscape.…”
Section: Introductionmentioning
confidence: 99%
“…During the 1950s, inter-aural level difference (ILD) and inter-aural time difference (ITD) were mechanisms for sound localizations [5,6], and then binaural impulse response was proposed by Schroeder [7] to examine the sound quality of room acoustics. With the development of binaural recording technology, the inter-aural cross-correlation coefficient (IACC) was suggested as an independent acoustic parameter to evaluate sound spatial perceptions of a concert hall [2], and some relationships between room acoustics and psychoacoustics were found based on further study of the IACC [8,9]. Around 2000, still based on the IACC, a model of the auditory brain system proposed by Ando was suggested to describe the primitive temporal and spatial factors for some spatial sensations, such as localization in the horizontal plane of sound fields [10,11,12].…”
Section: Introductionmentioning
confidence: 99%
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