2009
DOI: 10.1016/j.intell.2008.07.006
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Correlations between intelligence and components of serial timing variability

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Cited by 43 publications
(37 citation statements)
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“…This effect was present also in the group of professionals alone, but not in the amateurs, suggesting that up until a certain level of proficiency one may rely on either general intelligence (Lynn, Wilson, & Gault, 1989;Madison, Forsman, Blom, Karabanov, & Ullén, 2009;Rammsayer & Brandler, 2007), talent or past effort, but to go above that requires a certain amount of ongoing practice (e.g. Ericsson et al, 1993;Howe et al, 1998;Sloboda et al, 1996).…”
Section: Effects Of Practicementioning
confidence: 97%
“…This effect was present also in the group of professionals alone, but not in the amateurs, suggesting that up until a certain level of proficiency one may rely on either general intelligence (Lynn, Wilson, & Gault, 1989;Madison, Forsman, Blom, Karabanov, & Ullén, 2009;Rammsayer & Brandler, 2007), talent or past effort, but to go above that requires a certain amount of ongoing practice (e.g. Ericsson et al, 1993;Howe et al, 1998;Sloboda et al, 1996).…”
Section: Effects Of Practicementioning
confidence: 97%
“…Intelligence correlates with accuracy in various tasks that involve processing of temporal information (Helmbold, Troche, & Rammsayer, 2007;Madison, Forsman, Blom, Karabanov, & Ullén, 2009;Rammsayer & Brandler, 2002Troche & Rammsayer, 2009;Ullén, Forsman, Blom, Karabanov, & Madison, 2008), but why is this the case? In principle, such correlations could involve both bottom-up and top-down mechanisms.…”
Section: Introductionmentioning
confidence: 99%
“…Moreover, the period and intensity of musical training have been found to be positively correlated with auditory task performance (Dun, 2000;Kormann, 1985;Shuter, 1968), but Wallentin et al (2010) found this effect only in a group of professionals but not in a group of amateurs. Wallentin et al suggested that general academic intelligence is one factor that affects performance on auditory/musical tests up to a certain level of proficiency (see also Lynn, Wilson, & Gault, 1989;Madison, Forsman, Blom, Karabanov, & Ullén, 2009;Rammsayer & Brandler, 2007) but that going above that level requires a certain amount of consistent practice (e.g., Ericsson et al, 1993;Sloboda et al, 1996). The findings also seem to show that practice alone is not responsible for enhancing performance on auditory/musical tests.…”
Section: Effect Of Musical Training On Auditory Intelligencementioning
confidence: 99%