In "Bye-Bye, Babar (Or: What is an Afropolitan?)," an essay published in the LIP Magazine in 2005, Taiye Selasi used the term "Afropolitan" to describe "the newest generation of African emigrants" who "belong to no single geography, but feel at home in many" and who "forge a sense of self from wildly disparate sources." 1 A combination of "African" and "cosmopolitan," Afropolitanism, as intended by Selasi, captures the generational experience of affluent youth, "coming soon or collected already at a law firm/chem lab/jazz lounge near you," whose characteristic features include a "funny blend of London fashion, New York jargon, African ethics, and academic successes." 2 Afropolitans, as Selasi writes, are "ethnic mixes" or "cultural mutts," usually multilingual, and in constant movement, connected to "at least one place on The African Continent" as well as to "the G8 city or two (or three)," thus forming and sustaining cultural rather than geographical identifications. 3 In contrast to their parents, who left Africa in the 1960s and 1970s and "sought safety in traditional professions like doctoring, lawyering, banking, engineering," they enter "into fields like media, politics, music, venture capital, design." 4 Most importantly, no longer defined by their skin colour, place of birth, or nationality, Afropolitans are, as Selasi declares, "not citizens, but Africans of the world." 5 Selasi's widely read and discussed article on Afropolitanism marks the shift in thinking about Africa and what it means to be African, described as "the cosmopolitan turn" that began in the 2000s and entailed a movement away from race-based epistemologies and cultural homogeneity in favour of a sense of heterogeneous cultural 1 Taiye Selasi, "Bye-bye Babar (Or: What is an Afropolitan?)," LIP Magazine, March 3, 2005, http://thelip.robertsharp.co.uk/?p=76.2 Ibid.3 Ibid. 4 Ibid. 5 Ibid.