Craftsmanship as a Carrier of Indigenous and Local Ecological Knowledge: Photographic Insights from<i>Sámi Duodji</i>and Archipelago Fishing

Mellegård, Viveca; Boonstra, Wiebren J.

doi:10.1080/08941920.2020.1729911

Cited by 10 publications

(8 citation statements)

References 57 publications

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“…This may be because both are from the field of regional and urban planning. Interestingly, the publication by Mitlin (2008) was found in this cluster as well and in close connection with Albrechts (2013) and Watson (2014) although it does not belong to the planning field according to the WoS category. This may be because it belongs to the category ‘urban studies’ which is close to the planning field.…”

Section: Findings Of the Bibliometric Analysismentioning

confidence: 87%

“…The five most cited publications/authors of analysed definitions are listed in Table 1. What is remarkable is that three of them were also identified in the co-citation network, that is, Ostrom (1996), Bovaird (2007) and Mitlin (2008). As shown in Figure 4, the top five publications are connected in the large network.…”

Section: Findings Of the Bibliometric Analysismentioning

confidence: 91%

“…This is also proved by the results of the co-citation analysis as the publications from regional and urban planning are closely linked with publications from these two fields. Overall, publications by Ostrom (1996), Bovaird (2007) and Mitlin (2008), Albrechts (2013) and Watson (2014) serve as theoretical origins of co-production literature in the planning field.…”

Section: Findings Of the Bibliometric Analysismentioning

confidence: 99%

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Defining Co-Production: A Review of the Planning Literature

Lee,

Feiertag,

Unger

2023

Journal of Planning Literature

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Co-production is a concept that is becoming increasingly popular across various fields including planning. This article reviews planning literature on co-production and reveals that the term has not been well defined. The existing definitions are inconsistent and ambiguous, requiring more conceptual clarity to avoid contention. Based on the systematic literature review, and aided by bibliometric analysis, the article identifies seven dimensions within the current definitions of co-production: (1) actor, (2) reason, (3) input, (4) output, (5) phase, (6) means, and (7) context. This article concludes by proposing a conceptual and analytical framework for defining co-production in planning theory and practice.

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Section: Findings Of the Bibliometric Analysismentioning

confidence: 87%

Section: Findings Of the Bibliometric Analysismentioning

confidence: 91%

Section: Findings Of the Bibliometric Analysismentioning

confidence: 99%

See 1 more Smart Citation

Defining Co-Production: A Review of the Planning Literature

Lee,

Feiertag,

Unger

2023

Journal of Planning Literature

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“…From a very young age and throughout many years, they have built up a vast repertoire of experiences, knowledge, and skills required to succeed in catching fish. The time and work it takes to obtain this type of craftsmanship can hardly be overestimated (Mellegård and Boonstra 2020). Once this hard-won capacity is acquired, fishers hate to see it go to waste (Box 1).…”

Section: Structural Persistence II (1990-2016)mentioning

confidence: 99%

Why fishers end up in social-ecological traps: a case study of Swedish eel fisheries in the Baltic Sea

Björkvik¹,

Boonstra²,

Hentati‐Sundberg³

2020

E&S

Self Cite

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Unsustainable fishing can be surprisingly persistent despite devastating social, economic, and ecological consequences. Sustainability science literature suggests that the persistence of unsustainable fisheries can be understood as a social-ecological trap. Few studies have explicitly acknowledged the role of historical legacies for the development of social-ecological traps. Here, we investigate why fishers sometimes end up in social-ecological traps through a reconstruction of the historical interplay between fishers' motivations, capacities, and opportunities to fish. We focus on the case of a Swedish fishery targeting the critically endangered European eel (Anguilla Anguilla) in the Baltic Sea. We performed the case study using a unique quantitative data set of social and ecological variables that spans over eight decades, in combination with earlier literature and interviews with fishers and fisheries experts. Our analysis reveals that Swedish archipelago fishers are highly dependent on the eel to maintain their fishing livelihood. The dependence on the eel originates from the 1930s, when fishers chose to intensify fishing for this species to ensure future incomes. The dependence persisted over time because of a series of changes, including improved eel fishing technology, heightened competition over catch, reduced opportunities to target other species, implementation of an eel fishing license, and the fishers' capacity and motivation to deal with dwindling catches. Our study confirms that social-ecological traps are path-dependent processes. In terms of management, this finding means that it becomes progressively more difficult to escape the social-ecological trap with the passage of time. The longer entrapment endures, the more effort it takes and the bigger change it requires to return to a situation where fishers have more options so that unsustainable practices can be avoided. We conclude that fisheries policies need to be based on the premise that unsustainable fishing emerges through multiple rather than single causes.

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“…The explicit dimension consists of aspects that can be codified through, for example, writing, and the tacit dimension is borne in “symbols, signs, embodied feelings and experiences” (Hautala, 2015) as well as “worldviews, mental models” (Nonaka et al, 2000: 9). These worldviews are foundational to tacit knowing in artistic engagements (Wright, 2012: 3), which is knowledge about how to perform a skill that is embedded in practice (Mellegård and Boonstra, 2020: 1253). Tacit knowing is the basis of creativity (Manfredi Latilla et al, 2019: 1336–7) in the arts and crafts sector.…”

Section: Introductionmentioning

confidence: 99%

A framework for knowledge sharing in the art world in Zimbabwe

Maisiri¹,

Ngulube

2022

Information Development

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Knowledge sharing is a key facilitator of access and use of conventional knowledge in art mediation during engagement processes in the production, distribution and consumption of legitimate artworks in the art world. This study sought to ascertain the dynamics of knowledge sharing during artistic engagements in indigenous communities of practice. The study followed a phenomenology of practice research strategy. Data was collected through in-depth interviews, observations and document analysis. The data sources were purposively sampled using the maximum variation method. The main findings were that actants in indigenous communities of practice were artists, art collectors, art critics, art dealers, the art market, formal training institutions, cultural institutions and material suppliers. Knowledge sharing interactions took place during trainee mentorship and artists’ collaborative engagements through one-on-one consultations at the socialisation stage; advertising and marketing, branding, public presentations, participation in residency programmes, social networking, sculpting, teaching engagements, running workshops and compiling art reviews at the externalisation stage; art criticism, curatorship and mounting exhibitions during the combination stage and experimentation, model imitation and simulation activities at the internalisation stage. Recommendations are that the indigenous communities of practice should devise knowledge sharing strategies using the knowledge sharing framework developed in this research.

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Craftsmanship as a Carrier of Indigenous and Local Ecological Knowledge: Photographic Insights fromSámi Duodjiand Archipelago Fishing

Cited by 10 publications

References 57 publications

Defining Co-Production: A Review of the Planning Literature

Defining Co-Production: A Review of the Planning Literature

Why fishers end up in social-ecological traps: a case study of Swedish eel fisheries in the Baltic Sea

A framework for knowledge sharing in the art world in Zimbabwe

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