Creating a Visual Translation of Kurt Schwitters's "Ursonate"

Ox, Jack

doi:10.2307/1513271

Cited by 3 publications

(2 citation statements)

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“…-Traduzione fra un'arte e un'altra (Pignotti, 1993) -Traduzioni sinestesiche (Riccò, 1999;Cano, 2002) -Synesthetic translation (Hunt, 1989;Hameroff et al, 1999) The Ways of Synesthetic Translation: Design models for media accessibility 1103 -Synesthetic translation principles, Synesthetic translation ability, Synesthetic translation skill (Rader, Tellegen, 2013) -Sinestesie traduttive (Baule, 2015) -Inter-modal translation (Hameroff et al, 1999) -Traduzione intersemiotica (Cano, 2002) -Traduzione audiovisiva (Perego, 2005;Perego, Taylor, 2012;Fois, 2012) -Cross-modal translations of sensory dimensions (Marks, 1975) -Cross-modal synesthetic translation (Hunt, 1989) -Translation of musical compositions into paintings (Ox, Franck, 1984) -Audiovisual Translation (Chiaro, 2013; and many other authors) -Audiovisual translation and media accessibility (Remael, Orero, Carroll, eds., 2012) -Traduzioni multimediali (Bollettieri Bosinelli, Heiss eds., 1996) -Traduzione visiva (Baule, 2009) -Visual translation (Ox, 1993) This varied set of terms reveals an interdisciplinary interest in the theme, from linguistics to semiotics, art, design, music and neuroscience.…”

Section: Synesthetic Translations: Definitions and Disciplinesmentioning

confidence: 99%

The Ways of Synesthetic Translation: Design models for media accessibility

Riccò¹

2016

Proceedings of DRS

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Section: Synesthetic Translations: Definitions and Disciplinesmentioning

confidence: 99%

The Ways of Synesthetic Translation: Design models for media accessibility

Riccò¹

2016

Proceedings of DRS

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“…-Traduzione visiva (Baule, 2009) -Visual translation (Ox, 1993) This varied set of terms reveals an interdisciplinary interest in the theme, from linguistics to semiotics, art, design, music and neuroscience.…”

mentioning

confidence: 99%

DRS2016: Future-Focused Thinking

2016

Proceedings of DRS

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In this paper, we outline a framework that explains how creating value in a design product takes place in practice, as a result of a negotiation and translation process. Through an ethnographic study, we analyse how the values of an iconic Scandinavian design product emerged and were managed during the product life cycle, translating the values when new actors or new markets were enrolled. More specifically, the paper uses the notion of features in order to capture and express the value process. It suggests that the work of the spokesperson of associating and disassociating features is the key dimensions that determines the emergence of value. It also argues that value as product is not static rather dynamic that is changed by the process of associating and disassociating new features.

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How metaphor functions as a vehicle of thought: Creativity as a necessity for knowledge building and communication

Ox¹,

Elst²

2011

Journal of Visual Art Practice

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Creating a Visual Translation of Kurt Schwitters's "Ursonate"

Cited by 3 publications

References 0 publications

The Ways of Synesthetic Translation: Design models for media accessibility

The Ways of Synesthetic Translation: Design models for media accessibility

DRS2016: Future-Focused Thinking

How metaphor functions as a vehicle of thought: Creativity as a necessity for knowledge building and communication

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