2006
DOI: 10.1207/s15551407vcq1303_3
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Creating Responsible Designers: Recognizing and Responding to Professional Immunity Claims

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Cited by 5 publications
(5 citation statements)
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“…In the graphic design profession, many factors such as deadlines, budgets, production and logistical concerns, and client-imposed restrictions can influence the design process (Resnick 2003), and therefore designers are also finding quick and alternative ways of creating good and creative designs within the limited space of time depending on the day's pressure (Owens 2006). Technological advancement and the introduction of ICT is playing a dominant role in designers' creative endeavour while aiding the design process (Swanson 1998).…”
Section: Introductionmentioning
confidence: 99%
“…In the graphic design profession, many factors such as deadlines, budgets, production and logistical concerns, and client-imposed restrictions can influence the design process (Resnick 2003), and therefore designers are also finding quick and alternative ways of creating good and creative designs within the limited space of time depending on the day's pressure (Owens 2006). Technological advancement and the introduction of ICT is playing a dominant role in designers' creative endeavour while aiding the design process (Swanson 1998).…”
Section: Introductionmentioning
confidence: 99%
“…Más recientemente, ha crecido el debate en el campo (Rider & Elliot, 2007;Nini, 2020;Sonneveld, 2016;Lofthouse, 2013;Buchanan, 1998Buchanan, , 2001bSzenasy, 2003;Owens, 2006;Fry, 2006;Sotamaa, 2006; entre otros) sobre la importancia de una agenda que incorpore un aprendizaje ético de manera sistematizada en las carreras universitarias de grado en Diseño para fomentar una práctica profesional más responsable y autocrítica (Leerberg et al, 2010, p. 306;Owens, 2010).…”
Section: Antecedentes Y Contextounclassified
“…Se identificó un consenso entre autores del ámbito del Diseño (Haug, 2017;Oswald, 2016;Leerberg, Riisberg & Boutrup, 2010;Owens, 2006;Fry, 2006;2012) acerca de los problemas de índole ética existentes en la práctica de la actividad, los cuales consideran estar relacionados con la formación ética del diseñador.…”
Section: Introductionunclassified
“…55 And as such, the future promised by EDA would ultimately deliver " short-term gains [at the expense of] long-term losses of … planetary sustainments. " 56 Unlike his philosophical colleague Kockelkoren, it is unlikely that Taylor would condone actions or messages that enveloped technology within any such utopian mythologies.…”
Section: Artifacts and Responsibilitymentioning
confidence: 99%