2019
DOI: 10.1080/17510694.2019.1621619
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Creative organizations: when management fosters creative work

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Cited by 20 publications
(5 citation statements)
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“…Although issues related to the creativity of managers have been the subject of scientific research for years (Szostak and Sułkowki, 2020;Granot, 2011;Saukh and Vikarchuk, 2021;Higgs and Hender, 2004;Shoghi and Kian, 2022;Bérubé and Demers, 2019;Sousa et al, 2019;Du et al, 2021;Sokół et al, 2022;Sokół and Figurska, 2021;Sus et al, 2021), to this day, there is no single universally accepted definition of a creative manager.…”
Section: Creative Manager In the Organizationmentioning
confidence: 99%
“…Although issues related to the creativity of managers have been the subject of scientific research for years (Szostak and Sułkowki, 2020;Granot, 2011;Saukh and Vikarchuk, 2021;Higgs and Hender, 2004;Shoghi and Kian, 2022;Bérubé and Demers, 2019;Sousa et al, 2019;Du et al, 2021;Sokół et al, 2022;Sokół and Figurska, 2021;Sus et al, 2021), to this day, there is no single universally accepted definition of a creative manager.…”
Section: Creative Manager In the Organizationmentioning
confidence: 99%
“…Several studies have interpreted the design of formal structures, routines, and management control systems as compromises that enable organizations to continue and adapt in the presence of plural action and evaluation logics (Banoun, Dufour and Andiappan, 2016;Bérubé and Demers, 2019;Bobadilla and Gilbert, 2017;Bouillé and Cornée, 2017;Cloutier and Langley, 2017;Cortese and Andrew, 2020;Dahan, 2015;Kozica and Brandl, 2015;Marchal, 1992;Mesny and Mailhot, 2007;Rousselière and Vézina, 2009). A more radical view is that organizations can be designed not only to manage to variety, but to actively promote it: in fluid, unsettled contexts, the capacity to keep multiple logics in play through devices such as accounting, and to generate them through arrangements such as "heterarchical" organizations, is at a premium (van Bommel, 2014;Georgiou, 2018;Girard and Stark, 2003).…”
Section: Agreementsmentioning
confidence: 99%
“…Le cadre théorique proposé dans De la justification de Boltanski et Thévenot (1991 permet de rendre compte de situations de discordance en mettant l'accent sur les différents systèmes de valeurs en cause ainsi que les figures de compromis possibles entre ces systèmes. Ce cadre est mobilisé par des auteurs afin de comprendre la gestion de controverses et les formes de légitimation (Gond et al, 2016;Nyberg et Wright, 2013;Patriotta, Gond, et Schultz, 2011) ou la formation de compromis lors de situations conflictuelles entre différentes entités (Cloutier et Langley, 2017;Reinecke, 2010) ou entre les membres d'une même entité ou organisation (Bérubé et Demers, 2019;Daigle et Rouleau, 2010;Oldenhof, Postma, et Putters, 2013). Dans le cas de la mémoire collective dans les industries culturelles, nous nous référons aux formes de légitimation lors de la sélection des artistes ou oeuvres ou types d'oeuvres, etc.…”
Section: De La Justification : Les éConomies De La Grandeurunclassified