2014
DOI: 10.1016/j.aip.2014.09.003
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Creativity and dissociation. Dance/movement therapy interventions for the treatment of compartmentalized dissociation

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Cited by 11 publications
(5 citation statements)
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References 69 publications
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“…Towards this end, Dieterich‐Hartwell (2017) presented a DMT application model based on the assumption that an improvement in interoception is central to psychological well‐being. Specifically, in the area of dissociation and trauma, Dieterich‐Hartwell advocates for the importance of a bottom‐up approach where the individual is reached/treated through their somatic symptoms, with patients being encouraged to pay attention to their bodies and sensations (see also Pierce, 2014; Jorba‐Galdos, 2014). An attention to the body through interoception by tracking and identifying physical sensations, focusing on specific body parts, breath and muscle tension may allow for an increased awareness of the body.…”
Section: Cognitive and Brain Mechanisms Of Dmtmentioning
confidence: 99%
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“…Towards this end, Dieterich‐Hartwell (2017) presented a DMT application model based on the assumption that an improvement in interoception is central to psychological well‐being. Specifically, in the area of dissociation and trauma, Dieterich‐Hartwell advocates for the importance of a bottom‐up approach where the individual is reached/treated through their somatic symptoms, with patients being encouraged to pay attention to their bodies and sensations (see also Pierce, 2014; Jorba‐Galdos, 2014). An attention to the body through interoception by tracking and identifying physical sensations, focusing on specific body parts, breath and muscle tension may allow for an increased awareness of the body.…”
Section: Cognitive and Brain Mechanisms Of Dmtmentioning
confidence: 99%
“…However, central to the experience of emotion and affective states is, first, an internal awareness of the state of the body (Damasio & Carvalho, 2013). Damasio and Carvalho (2013) suggest that changes to the body will result in both automatic physiological responses and feelings, also described as 'mental experiences of body bottom-up approach where the individual is reached/treated through their somatic symptoms, with patients being encouraged to pay attention to their bodies and sensations (see also Pierce, 2014;Jorba-Galdos, 2014). An attention to the body through interoception by tracking and identifying physical sensations, focusing on specific body parts, breath and muscle tension may allow for an increased awareness of the body.…”
Section: Interoceptionmentioning
confidence: 99%
“…Agreement between the two reviewers regarding the inclusion and exclusion of articles was good with a Kappa value of 0.60, indicating that the observed agreement was 60% of the way between chance agreement and perfect agreement. Seventeen articles were excluded with the following reasons: two articles (Kluft et al, 1986;Baum, 1991) addressed multiple PD which does not meet the primary diagnostic criteria of PD anymore in the DSM-5 (American Psychiatric Association, 2013), fourteen articles (Ammon, 2003;Netz and Lidor, 2003;Karterud and Urnes, 2004;Mörtl and Von Wietersheim, 2008;Cruz, 2009;Van den Broek et al, 2011;Potik and Schreiber, 2013;Jorba-Galdos, 2014;Benjamin, 2015;Pylvänäinen et al, 2015;Cobbett, 2016;Bellemans et al, 2018;Samuelsson and Rosberg, 2018;Koch et al, 2019b) did not specifically address PD and/or DMT as the main intervention. One article was excluded (Havsteen-Franklin et al, 2019) as it appeared that the study used sources (Manford, 2014;Röhricht, 2015) that were already included in the results from this study.…”
Section: Article Selectionmentioning
confidence: 99%
“…Previous studies have explored the healing and recovery processes for survivors of CSA. In particular, studies in the area of dance movement therapy have provided strong evidence to support the idea that creative work (whether writing, drama, painting or dance) combined with conscious body movement are complementary elements serving to improve the wellbeing and post-traumatic growth for trauma survivors (Jorba-Galdos, 2014;Gray, 2001;Winters Fisher, 2019;Ho, 2015;Orkibi, Bar, and Eliakim, 2014;Mills and Daniluk, 2002;Panhofer & Payne, 2011). The idea that the body "feels, knows and remembers" (Panhofer, 2017, p.6) is explored in the program of LWH, first through creative writing prompts, then through the act of boxing as a tool of outward expression.…”
Section: Literature On Creativity and Trauma Recoverymentioning
confidence: 99%