2010
DOI: 10.1108/17506181011067592
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Creativity, culture tourism and place‐making: Istanbul and London film industries

Abstract: PurposeThe paper aims to examine the role of creative industries in general and the film industry in particular for place‐making, spatial development, tourism, and the formation of creative cities.Design/methodology/approachThe article reveals the preliminary findings of two case studies from Beyoglu, Istanbul, and Soho, London.FindingsThe research found a relation between place and creativity and the positive contribution to creativity of being in a city center. Among the creative industries, the film industr… Show more

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Cited by 46 publications
(23 citation statements)
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“…the variables implicit in this sub-dimension are divided into seven main factors/components as shown in Table 3. which corroborates the importance also attributed to them by various authors (e.g., [26,27,30,31,[37][38][39]). These authors concluded that it is necessary to continue to recreate the crucial role played by culture in cities' attractiveness and their economy.…”
Section: Discussion Of the Resultssupporting
confidence: 90%
See 1 more Smart Citation
“…the variables implicit in this sub-dimension are divided into seven main factors/components as shown in Table 3. which corroborates the importance also attributed to them by various authors (e.g., [26,27,30,31,[37][38][39]). These authors concluded that it is necessary to continue to recreate the crucial role played by culture in cities' attractiveness and their economy.…”
Section: Discussion Of the Resultssupporting
confidence: 90%
“…However, creativity is consolidated by crucial determinants/sub-dimensions, which are culture (e.g., [26][27][28]), the creative economy (e.g., [29][30][31][32][33]), and a favourable environment (e.g., [26,27,[29][30][31][32][33][34][35][36][37][38][39]).…”
Section: Creativity In Citiesmentioning
confidence: 99%
“…Overall, it is noticeable that creativity on tourism is concerned with bringing innovation to this setting (Boonpienpon, Maneenetr, Siriwong & Kovathanakul, 2015;Cruz, 2014;Greenwood, & Dwyer, 2017;Richards, 2014;Robbins, & Devitt, 2017) and thus attracting visitors. The idea of developing and promoting 'creative cities' to bring visitors is also focused by different studies (Durmaz, Platt, & Yigitcanlar, 2010;Greenwood, & Dwyer, 2017;Richards, 2014). It looks that creativity is being used as a background for tourism development, one of the ways of expressing a creative tourism according to Virfinija (2016).…”
Section: Resultsmentioning
confidence: 99%
“…Based on this classification, those publications that considered an entire developing country (Hartley & Montgomery, 2009;Wendland, 2009), of large regions such as Southeast Europe (Dukić & Vukmirović, 2012), or regions within the same country like Macau (Azevedo & Barbosa, 2014) Vilnius, Lithuania (Levickaitė, 2011); Cape Town, South Africa (Booyens & Rogerson, 2015); Dublin, Cork and Galway (Bayliss, 2004); Dubai, Cancun, Maldives, Catalonia and Valencia (Russo & Segre, 2009); Barcelona, Berlin, Helsinki and Turin (Richards, 2014); or urban areas of large cities such as Soho (London) and Beyoğlu (Istanbul) in (Durmaz, Platt, & Yigitcanlar, 2010), or Liberty Village (Toronto) (Catungal, Leslie, & Hii, 2009), were not taken into account.…”
Section: Methodsmentioning
confidence: 99%