2010
DOI: 10.1179/174962910x12838716153682
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Crossing Boundaries: Revisiting the Thresholds of Vernacular Architecture

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Cited by 8 publications
(2 citation statements)
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“…As a result, this article argues that there is a need for a different framework for framing the potential ranges of values in vernacular architecture for a sustainable value-based conservation practice. This argument proceeds from the fundamental assumption that vernacular architecture is a contextualized cultural heritage typology which is a product of contextual processes and practices of a people, by a people and for a people acting under a common heritage in a particular space and in a specific time [21][22][23][24][25][26][27][28][29][30][31][32]. In this regard, its distinctiveness and entanglement with its social, cultural and environmental contexts put it in a position to reject predetermined typologies.…”
Section: Introductionmentioning
confidence: 99%
“…As a result, this article argues that there is a need for a different framework for framing the potential ranges of values in vernacular architecture for a sustainable value-based conservation practice. This argument proceeds from the fundamental assumption that vernacular architecture is a contextualized cultural heritage typology which is a product of contextual processes and practices of a people, by a people and for a people acting under a common heritage in a particular space and in a specific time [21][22][23][24][25][26][27][28][29][30][31][32]. In this regard, its distinctiveness and entanglement with its social, cultural and environmental contexts put it in a position to reject predetermined typologies.…”
Section: Introductionmentioning
confidence: 99%
“…[52] Indeed it is the case that many regions now boast less traditional buildings than buildings that have been made to appear traditional or folklorized. [53] One version of this method of appropriation is the mimicking of traditional architectures using non-traditional methods. Vernacularised modern buildings (modern construction or design techniques and adaptations that mimic local styles) are indicative of the cross fertilization that continues to occur between the contemporary aesthetic of professional architects and the 'dynamic and creative processes that result from cultural encounters, borrowings and conjunctions' within the vernacular tradition.…”
Section: Classification By Author or Occupantmentioning
confidence: 99%