Does picture perception follow polar projective geometry? Parallel projection drawings, which are not produced by using rules of polar projection, are widely regarded as visually acceptable representations of three-dimensional (3-D) objects in free viewing. One explanation is that they are perceived by means of a system in which there is no foreshortening. If so, edges of a 3-D block in 1:1 proportions should be denoted by lines in 1:1 proportions on the picture surface. However, three experiments suggest that the perception of parallel projections of a block involves foreshortening. In Experiment 1, 90 subjects were shown a set of parallel projections of a cube, in which each drawing depicted three sides of the cube, drawn as a square with obliques-a frontal square with receding edges shown by parallel obliques of various lengths. The subjects preferred a drawing with a receding side length that was considerably foreshortened in relation to the front side. In Experiments 2 and 3, subjects viewed drawings of three blocks that differed in the ratios of the lengths of their receding edges to their frontal edges (1:1,1:2, and 1:0.65). In Experiment 2, the subjects were shown square-with-obliques drawings of the three blocks with receding edges shown by parallel obliques of various lengths. Again, the subjects preferred drawings with a receding side that was foreshortened. In Experiment 3, the drawings showed two sides of a block. The receding dimension was drawn with parallel or converging lines. The preferred foreshortening was not a fixed ratio ofthe dimensions of the 3-D blocks. We suggest that square-with-obliques parallel projections showing cubes are taken by vision to be approximations to projections using foreshortening. We suggest also that as the line showing the receding edge elongates, foreshortening becomes less of a factor, Parallel projection systems have been used extensively to depict three-dimensional (3-D) objects and scenes in free viewing. Early Greek, Roman, Byzantine, Persian, and Chinese art all provide instances of the use of parallel projection (Arnheim, 1974;Dubery & Willats, 1983;Hagen, 1985Hagen, , 1986. Research in drawing development also indicates that parallel projections are widespread. Many older children (10 years and above) and adults produce a square with parallel oblique lines when asked to draw a cube (Arnheim, 1974;Caron-Pargue, 1985;Cox, 1986;Freeman, 1980Freeman, , 1986Willats, 1981Willats, , 1984. But the widespread use of parallel projection to represent three dimensions suggests problems for theories which contend that the perception of depth in pictures follows the laws of polar projective geometry. Parallel projection draw- ings are not produced according to polar projection rules. Indeed, explanations for the success of parallel projection drawings are often couched in terms of the observer's knowledge about the structure and features of the 3-D object (Cox, 1986;Duthie, 1985;Freeman, 1986Freeman, , 1987, rather than the optic projection from the picture. In the face...