Abstract:Este artigo explora como a política externa norte-americana e os embates específicos do campo cultural se sobrepõem na trajetória de exposições do MoMA, buscando desvelar como os imaginários de arquitetura latinoamericana cristalizados na exposição Latin American Architecture since 1945 (1955) se articulam com os esforços de integração do subcontinente noarcabouço geopolítico da Guerra Fria.
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