“…192 -193), most observers have been quite critical, seeing it as merely a loose arrangement for 'consulting' elites rather than engaging with minorities (Prina, 2012, p. 90), as 'highly imperfect' and'half-hearted' (Bowring, 2005, p. 203), and as 'ultimately useless' (Osipov, 2010, p. 53). Estonia introduced a cultural autonomy law in 1993 that resembled that of 1925, but as implemented it was much less effective; its provisions have been criticised as merely 'cosmetic' (Lagerspetz, 2014), as not functioning 'in any meaningful way' (Smith, 2013, p. 124), and as being 'symbolic rather than instrumental' (Poleshshuk, 2013, p. 160). Similar forms of cultural autonomy were introduced in Hungary (Dobos, 2007(Dobos, , 2013, Serbia (Beretka, 2013), andSlovenia (De Villiers, 2012;Sardelić, 2013).…”