Cultural Commons 2012
DOI: 10.4337/9781781000069.00025
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Cultural Commons: A New Perspective on the Production and Evolution of Cultures

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Cited by 37 publications
(39 citation statements)
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“…The importance of sharing knowledge has created the open access movement for a "Creative Commons" making copyright agreements more in line with every scholar's wish to be read and have access to what others have written (Hess and Ostrom 2007). In the same direction we find studies of "cultural commons" (Bertacchini et al 2012). Property rights to, and management of the radio spectrum has been studied as a form of commons (Berge and Kranakis 2011), and so have microbial commons (Dedeurwaerdere 2010), protection of nature (Zachrisson 2009;Lawrence, Molteno, and Butterworth 2009), the atmosphere (Paavola 2008), the oceans (Holt 1992), and other global commons (Buck 1998).…”
Section: "Reinventing the Commons"?mentioning
confidence: 88%
“…The importance of sharing knowledge has created the open access movement for a "Creative Commons" making copyright agreements more in line with every scholar's wish to be read and have access to what others have written (Hess and Ostrom 2007). In the same direction we find studies of "cultural commons" (Bertacchini et al 2012). Property rights to, and management of the radio spectrum has been studied as a form of commons (Berge and Kranakis 2011), and so have microbial commons (Dedeurwaerdere 2010), protection of nature (Zachrisson 2009;Lawrence, Molteno, and Butterworth 2009), the atmosphere (Paavola 2008), the oceans (Holt 1992), and other global commons (Buck 1998).…”
Section: "Reinventing the Commons"?mentioning
confidence: 88%
“…The use and development of the concept of 'cultural commons' in scholarly literature are recent. In addition to the more philosophical perspectives put forward by Lessig (2004), Boyle (2003Boyle ( , 2008 and Hyde (2010) as discussed above, there are also several more empirically grounded studies on cultural commons that have focused on the institutional arrangements surrounding them, and have investigated these as arenas of collective action (Bertacchini et al 2012;Madison et al 2010). The term 'cultural commons' has also been utilized as a political vehicle or strategic tool for pursuing change in the cultural sector (for examples see e.g.…”
Section: The Backdrop: Cultural Commons and Infrastructuringmentioning
confidence: 99%
“…Ostrom and Hess 2007;Benkler 2013;Bollier and Helfrich 2012). Our focus is particularly on the characteristics of the concept that has lately been referred to as cultural commons (Madison et al 2010;Hyde 2010;Hess 2012;Bertacchini et al 2012). To analyse these cases we combine this broader framing of commons with a discussion of the concepts of infrastructure and infrastructuring processes, as being central to contemporary discussions of design (Star and Bowker 2002;Karasti 2014).…”
Section: Introductionmentioning
confidence: 99%
“…En este sentido, la noción de bien patrimonial está fundamentada en un significado de bien común que enfatiza su interés y valor en el contexto de las comunidades humanas. Así, las dimensiones y el reconocimiento de los ámbitos que constituyen la noción de un bien patrimonial atienden no solo a su función de legado o herencia; incluyen, además de su valor intrínseco, los vínculos entre los bienes y las personas (BERTACCHINI, 2012;BOLLIER;HELFRICH, 2014) con significados de carácter sociocultural. Inciden en la misma perspectiva los estudios centrados específicamente en el binomio educación y patrimonio (ES-TEPA;CUENCA, 2006;FONTAL MERILLAS, 2013;IBÁÑEZ ETXEBERRIA, 2015; FONTAL MERILLAS; GÓMEZ-REDONDO, 2016) aunque la definición asumida en España por los agentes institucionales es mucho más restrictiva (DOMINGO et al, 2013;GARCÍA CEBALLOS;.…”
Section: Planteamientounclassified