For much of the twentieth century, historical pageants were one of the most widespread and popular forms of public engagement with the past. Following the success of the first modern historical pageant at Sherborne in Dorset in 1905 (see Figure 1), England succumbed to what contemporaries called 'pageant fever' or 'pageantitis'. 2 Towns and cities across the country staged historical pageants, involving hundreds or thousands of amateur performers, and watched by sometimes tens of thousands of spectators over several performances. The ubiquity of pageants in Edwardian England is now coming to be appreciated by scholars, not least due to the work of Ayako Yoshino, who has written the only monograph thus far devoted to the topic. 3 The typical historical pageant contained around ten scenes of local history. It showcased moments at which the history of the particular town had intersected with the larger national story, but also key moments in its medieval history, the latter often including the establishment of a monastery or castle, or the receipt of a royal charter. Historical pageants remained important during the interwar period, when many towns and cities staged them for the first time, notably in the industrial north and midlands of England. 4 Village, country house and church pageants were also popular, and this was reflected in their frequent appearance in the literature of the time, such as Virginia Woolf's novel Between the