2014
DOI: 10.1353/jjq.2014.0007
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Curating the Colony: Museums in Ulysses

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“…Julia Panko notes that in the mid-nineteenth century Dublin jewelers began selling reproductions of Celtic ornaments, including the Tara Brooch. 95 Moreover, as she points out, the National Museum's entanglement in commodity culture becomes explicit in "Circe", with its "plaster figures, also naked, representing the new nine muses" among which are "Commerce, […] Publicity, [and] Manufacture". 96 The Tara Brooch, for Molly Ivors a symbol of her devotion to the nationalist movement, was also worn onstage as costume by some of the keenest promoters of Irish culture.…”
Section: W Joyce's a Smaller Social History Ofmentioning
confidence: 99%
“…Julia Panko notes that in the mid-nineteenth century Dublin jewelers began selling reproductions of Celtic ornaments, including the Tara Brooch. 95 Moreover, as she points out, the National Museum's entanglement in commodity culture becomes explicit in "Circe", with its "plaster figures, also naked, representing the new nine muses" among which are "Commerce, […] Publicity, [and] Manufacture". 96 The Tara Brooch, for Molly Ivors a symbol of her devotion to the nationalist movement, was also worn onstage as costume by some of the keenest promoters of Irish culture.…”
Section: W Joyce's a Smaller Social History Ofmentioning
confidence: 99%