The relationship between subjective reactions to music and EEG frequencies over left and right occipital sites was studied in groups of musicians and nonmusicians. Self·reports of atten· tiveness during music listening, familiarity with the music, and emotional reactions to the music all correlated moderately to substantially with various EEG frequency measures. The majority of significant correlations were between self·reports and direct measures of EEG activity in the slower theta and delta bands, while music minus silence EEG measures in the alpha and beta bands provided superior correlates of subjective reactions. These results suggest that EEG techniques may be useful in increasing understanding of brain mechanisms associated with music perception, and that it may prove to be ultimately possible to account for sizable segments of the variance of aesthetic reactions to musical stimuli in terms of EEG measures of brain activity.Since the initial description of human brainwaves (Berger, 1929), there have been numerous studies relating the human electroencephalogram (EEG) to sensory input, attention, behavior, and various cognitive processes (Shagass, 1972). Many studies of EEG activity during nonlinguistic auditory input have been limited to the use of simple sounds such as pure tones. In a recent report, Wagner (1975a) reviewed the limited literature relating human brainwaves to the perception of music and suggested that additional EEG studies might be helpful in increasing our understanding of the brain mechanisms underlying perception of complex musical stimuli.The purpose of the present study was to determine if EEG measures of the electrical activity of the brain are systematically related to subjective reactions to musical stimuli. To our knowledge, the present study represents one of the few published demonstrations of significant relationships between subjective reactions to musical stimuli and EEG measures of brainwave activity.
METHOD
SubjectsTwenty·four right· handed undergraduate students from Brandon University participated in the study. Twelve of the sub· jects were advanced undergraduate majors drawn from the faculty of music. The remaining subjects were nonmusicians selected from an introductory psychology course. An equal number of males and females were represented in both groups. All potential This study was supported by Brandon University President's NRC Grant 2374. Address requests for reprints to: J . L. Walker, Department of Psychology, Brandon University, Brandon, Manitoba, Canada, R7A 6A9. I wish to thank Professor Alan Ehnes from the Faculty of Music at Brandon University for assistance in conducting this study. 483 subjects were given an initial screening, and any student report· ing a preference for the left hand was not included in the study. The subjects ranged in age from IS to 32 years. The mean age of the musicians was 21.2 years, and the mean age of the non· musicians was 21.S years.
ProceduresEEG recordings were collected during three aural conditions, including two musical c...