“…And they persist in the cuts, contours, and corrugated landscapes of even the most lopsided cities. A large literature found across the social sciences and humanities has long sought to focus in on such fringe place-making, conceptualized as insurgent and guerilla urbanism (Hou, 2010; Rios 2009; Sarmiento, 2021), spaces of enduring informality (Mukhija and Loukaitou-Sideris, 2014; Roy, 2005), what I have identified as “insurgent artscapes” produced by graffiti writers and street artists (Bloch, 2019a, 2020a), or what urban architectural theorist Ignasio de Solà-Morales (1995) identifies as “terrains vague,” or vernacular remnants left over from cataclysmic capitalist development. Whatever the metaphor, what is clear is that focusing in on the fringes, as Guma (2023) argues, reveals urban spaces and practices not easily seen from the sky.…”