Democratizing the Digital Collection

Abstract

Three-dimensional modeling and printing of museum artifacts have a growing role in public engagement and teaching—introducing new cultural heritage stakeholders and potentially allowing more democratic access to museum collections. This destabilizes traditional relationships between museums, collections, researchers, teachers and students, while offering dynamic new ways of experiencing objects of the past. Museum events and partnerships such as the Metropolitan Museum of Art “Hackathon”; the MicroPasts initiative; and Sketchfab for Museums and Cultural Heritage, encourage non-traditional methods of crowd-sourcing and software collaboration outside the heritage sector. The wider distribution properties of digitized museum artifacts also have repercussions for object-based and kinesthetic learning at all levels, as well as for experiential and culturally sensitive aspects of indigenous heritage. This article follows the existing workflow from model creation to classroom: considering the processes, problems, and applications of emerging digital visualization technologies from both a museum and pedagogical perspective.

Collection as (Re)assemblage: refreshing museum archaeology

“…However, Pickstone (2000, 81-2) also highlighted the contemporary potential for an 'omnivorous' digital technology to expand the accumulating and sorting of 'information' associated with the natural-historical 'way of knowing' well beyond the institutions that once anchored it (cf. Frieman and Wilkin 2016;Nancarrow 2016).…”