Depiction of Science and Technology in Post-Millennial Tamil Cinema

Mahalakshmi, Mangudi Ramgopal; Lavanya, R.

doi:10.1177/09717218231161219

Science, Technology and Society

2023

DOI: 10.1177/09717218231161219

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Depiction of Science and Technology in Post-Millennial Tamil Cinema

Mangudi Ramgopal Mahalakshmi

R. Lavanya

Abstract: Technological advancement worldwide has impacted the cinema’s narratives, and Indian cinema is no exception to this. Science fiction is one of the fascinated genres of the Indian film industry. Incorporating science concepts in plots with the usual commercial elements provides a unique platform for the creators. This hybridisation by the creators instigates imagination among the audience. This paper explains the scientific concepts handled in the sci-fi genre of contemporary Tamil cinema (2010–2020). The study… Show more

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2024

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Cited by 2 publications

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Cross-cultural narratives of weaponised artificial intelligence: Comparing France, India, Japan and the United States

Bode,

Huelss,

Nadibaidze

et al. 2024

Big Data & Society

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Stories about ‘intelligent machines’ have long featured in popular culture. Existing research has mapped these artificial intelligence (AI) narratives but lacks an in-depth understanding of (a) narratives related specifically to weaponised AI and autonomous weapon systems and (b) whether and how these narratives resonate across different states and associated cultural contexts. We speak to these gaps by examining narratives about weaponised AI across publics in France, India, Japan and the US. Based on a public opinion survey conducted in these states in 2022–2023, we find that narratives found in English-language popular culture are shared cross-culturally, although with some variations. However, we also find culturally distinct narratives, particularly in India and Japan. Further, we assess whether these narratives shape the publics’ attitudes towards regulating weaponised AI. Although respondents demonstrate overall uncertainty and lack of knowledge regarding developments in the sphere of weaponised AI, they assess these technologies in a negative-leaning way and mostly support regulation. With these findings, our study offers a first step towards further investigating the extent to which weaponised AI narratives circulate globally and how salient perceptions of these technologies are across different publics.

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Cross-cultural narratives of weaponised artificial intelligence: Comparing France, India, Japan and the United States

Bode,

Huelss,

Nadibaidze

et al. 2024

Big Data & Society

View full text Add to dashboard Cite

show abstract

A Research Investigation on the Changes in Editing Technology and Narrative Techniques of Selected Tamil Cinema

Prasad,

Kumar

2024

ShodhKosh J. Vis. Per. Arts

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The primary aim of the research is to study the evolution of editing technology with reference to selected Tamil films. The case study methodology was adopted in this research to analyze the evolution of editing technology and its changes. The movies like Indian, Anbe Sivam, Ayirathil Oruvan, Naduvulakonjam pakkatha kaanom and Visaranai were selected to as the cases for the study. The selected Tamil movies represent an important milestone in the history of editing technology in Tamil cinema, highlighting creative approaches that have pushed the frontiers of storytelling and visual expression. The Tamil film 'Indian' included significant visual effects a sequence, including moments in which Kamal Haasan’s character transforms from an aged to a younger man. These effects were accomplished using innovative editing techniques that smoothly blended live-action film with computer-generated graphics. "Anbe Sivam" is known for its unique editing techniques, especially cross-cutting and parallel editing. The picture expertly mixes many narrative strands and timeframes, enriching both storytelling and character development. The editing approach of "Anbe Sivam" contributed considerably to the film's critical praise and long-term appeal with spectators. "Aayirathil Oruvan" demonstrated considerable use of the digital intermediate (DI) method. This technique enabled accurate color grading, visual augmentation, and post-production alteration. The film's amazing sights and atmospheric cinematography, enhanced by DI, added to the immersive and cinematic experience."Naduvula Konjam Pakkatha Kaanom" used digital non-linear editing technologies, which marked a change from standard linear editing processes. This change increased editing flexibility and efficiency, allowing for the seamless integration of disparate views while also improving the film's humorous timing and narrative flow. "Visaranai" used a raw, realistic editing approach evocative of documentary filmmaking. The film's editing methods forgo theatrical gloss in favor of a gritty, vérité style, which successfully conveys the characters' brutal circumstances.

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Depiction of Science and Technology in Post-Millennial Tamil Cinema

Cited by 2 publications

References 16 publications

Cross-cultural narratives of weaponised artificial intelligence: Comparing France, India, Japan and the United States

Cross-cultural narratives of weaponised artificial intelligence: Comparing France, India, Japan and the United States

A Research Investigation on the Changes in Editing Technology and Narrative Techniques of Selected Tamil Cinema

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