2006
DOI: 10.1002/anie.200504510
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“Design” in Chemical Synthesis—An Illusion?

Abstract: The power of words: According to its generally accepted definition, the process of “design” is the creation of a form that fulfills a given function as well as possible and is also considered aesthetically pleasing. This implies a type of creativity that does not exist in the synthesis of new chemical compounds. This essay discusses the implications of the term “design” in the context of chemistry.

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Cited by 109 publications
(63 citation statements)
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“…Quite obviously, there must be some gain in binding energy, as compared to the same ensemble of unbonded atoms, and moreover, the equilibrium geometry is typically associated with a minimum in binding energy. Since this holds true for each chemical compound capable of existence, and since one can move from one minimum to another by modifying the structures (polymorphs), or exchanging, adding or removing atoms, one easily arrives at the concept of a landscape of (binding)energy [1,[11][12][13][14][15][16][17] with the minima associated with stable configurations, cf. Fig.…”
Section: The Energy Landscape Conceptmentioning
confidence: 99%
“…Quite obviously, there must be some gain in binding energy, as compared to the same ensemble of unbonded atoms, and moreover, the equilibrium geometry is typically associated with a minimum in binding energy. Since this holds true for each chemical compound capable of existence, and since one can move from one minimum to another by modifying the structures (polymorphs), or exchanging, adding or removing atoms, one easily arrives at the concept of a landscape of (binding)energy [1,[11][12][13][14][15][16][17] with the minima associated with stable configurations, cf. Fig.…”
Section: The Energy Landscape Conceptmentioning
confidence: 99%
“…Unlike organic chemistry, within the realms of inorganic solid state materials, not only is it difficult to evolve a rational route to synthesis, [1] it is virtually impossible to define a target compound for synthesis. Within the specific and limited context of polytypism in layered materials, this difficulty was sought to be mitigated by the recently proposed structural synthon approach.…”
Section: Introductionmentioning
confidence: 99%
“…[4] Thus, to produce interesting MOF materials, more creative approaches to their preparation are critical and urgent. [5] The extent of those creative approaches and how achievable their results currently remain a challenge and will require considerable imagination. [4,6] Herein we employ a useful net-to-net intersecting strategy [3i] for the assembly of three new MOFs from anionic benzene-1,2,4,5-tetracarboxylate (btec), neutral 5,5Ј-bipyr-tural diversities between the two types of MOF architectures can be attributed to the coordination geometry preference of the metal ions (square planar for Cu II and Ni II and tetrahedral for Zn II ).…”
Section: Introductionmentioning
confidence: 99%