Designing a Remote-Controlled Interactive Dance Costume

Honauer, Michaela

doi:10.1145/3212721.3212879

Cited by 4 publications

(1 citation statement)

References 8 publications

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“…The first category presented, 'technical framework', encompasses papers presenting low-level technical contributions for developers. The category yields 9 results (21%) and includes papers that contribute to new computational techniques, for example a visualisation system that exposes movement qualities for dance through rendering effects [1]; frameworks, [1], [4], [15], [26], [38], [48], [57], [63], [67] C1.2 Research through practice 8 (19.0%) [28], [29], [32], [35], [36], [53], [54], [56] C1.3 Theory and methodology 7 (16.7%) [2], [13], [16], [27], [37], [47], [55] C1.4 Support tools for dance 11 (26.2%) [10], [11], [12], [14], [17], [19], [22], [31], [60], [61], [64] C1.5 Artistic work and process 5 (11.9%) [9], [40], [41], [49], [65] C1.6 Dance archive / documentation 1 (2.4%)…”

Section: Resultsmentioning

confidence: 99%

The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI

Jürgens¹,

Correia

Masu

2021

Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction

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This paper argues that a significant paradigm change in contemporary dance can offer further opportunities for HCI researchers interested in embodied interaction and interactive system design. Based on the analysis of 42 HCI papers in our data set, resulting from searches in two computing research libraries, we suggest seven thematic categories that reflect how HCI researchers have been engaging with contemporary dance. Moreover, we propose a standardized usage of contemporary dance terminology in HCI literature, and discuss the current state of engagement with publications from the field of performance theory. We identify three opportunities for HCI, which can arise through further engagement with the knowledge produced in contemporary dance and performance: to engage with the field of embodied interaction from the perspective of performance research and theory; to employ contemporary dance methods and practices in HCI research; and to integrate contemporary dance choreographers and performers as researchers in interdisciplinary projects.CCS Concepts: • Human-centered computing → HCI theory, concepts and models; • Applied computing → Performing arts.

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