Designing Digital Vertigo Experiences

Byrne, Richard; Marshall, Joe; Mueller, Florian

doi:10.1145/3387167

Cited by 11 publications

(4 citation statements)

References 102 publications

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“…For the circular channel, the actual motion distance parameter is the linear motion distance, which can be approximated by the specific directivity, recording method, and the linear motion corresponding to the linear motion. Since there is no visual difference in the rotation of the environment, the recorded data are the rotation angular velocity of the actual overall environment [20].…”

Section: Design Of the Experiments Based On Virtual Realitymentioning

confidence: 99%

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

Chen¹

2022

SN Appl. Sci.

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The study aims to explore a new form of immersive animation scene design and improve the application effect of virtual reality (VR) in immersive animation scene design. First, the research status of VR and the related concepts of animation scene design are analyzed, and the basic characteristics of visual effects in immersive VR animation scenes are summarized. Second, three elements to create immersion in a VR animation scene are color, light and shadow, and digital information technology. Finally, the application of VR technology to an animation scene design is analyzed, the problem of vertigo caused by VR animation scenes is deeply discussed, the vertigo test process in an immersive VR scene is proposed, and an experiment is designed to verify it. The results show that in the design of an immersive VR scene, the relative moving speed of the forward straight line should be maintained less than 6.5 times of the audience’s perceived speed, and the optimal relative moving speed of the scene should be maintained below 5 times of the audience’s perceived speed when they moving backward. In the design of a rotating animation scene, the long-term high-speed rotation should be avoided. If there must be a rotating scene, the rotation speed should be as low as 50°/s. The research provides some guidance for the application of VR to immersive animation scene design. This study discusses immersive animation scene design from dizziness prospective. It is novel. This study introduces relative motion perception illusion and use displacement velocity and relative displacement to analyze VR vertigo. Len motion is divided into forward and reverse linear, horizontal and vertical rotation and camera center rotation to study vertigo source. The dizziness evaluation model is designed and combined with the virtual indoor scene developed to achieve a visual immersion experience.

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Section: Design Of the Experiments Based On Virtual Realitymentioning

confidence: 99%

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

Chen¹

2022

SN Appl. Sci.

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“…This acceptance is in part due to the ethical reflections on the use of this approach [15,60], considering the impact on participants or as a research method. Discomfort has been deployed successfully in the design of digital games [57], exergames [26], and also about designing interactions with art objects [51]. Following HCI's lead of engaging critically with the diversity of human experience, discomfort has also been used to engage societal systematic and intergenerational tensions with transformative learning [59,60] or to reflect on the methods we use [66].…”

Section: Heritage and Hcimentioning

confidence: 99%

Towards Critical Heritage in the wild: Analysing Discomfort through Collaborative Autoethnography

Bala¹,

Sanches

Cesário³

et al. 2023

Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems

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As we engaged in designing digital interventions for intercultural dialogues around public cultural heritage sites, we saw an opportunity to surface multiple interpretations and points of view of history and shine a critical lens on current societal issues. To do so, we present the results of a collaborative auto-ethnography of alternative tours accompanied by intercultural guides, to explore sensory and embodied engagements with cultural heritage sites in a southern European capital. By focusing on the differences in how we experienced the heritage sites, we analyse the duality of discomfort, a common concept in HCI, in that it can both be deployed as a resource for designing systems that can transform people's understanding of history or it can be a hindrance for engagement, having an unequal effect on individuals. CCS CONCEPTS• Human-centered computing → Field studies; • Applied computing → Arts and humanities.

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“…Benford et al [11] recognise the need to take us on journeys through discomfort and back again -a constantly uncomfortable experience may not be a pleasurable one -rather it is the journey that generates the thrill, from physical discomfort [15], to social discomfort [56] to "Horror Guilt and Shame" [32]. Soma designers have also engaged with this dimension, exploiting physical and social discomfort in pursuit of performative fun [87].…”

Section: Trajectories Through Soma Designed Experiences 51 Comfortable Vs Uncomfortablementioning

confidence: 99%

Articulating Soma Experiences using Trajectories

Tennent

Höök

Benford

et al. 2021

Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems

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In this paper, we refect on the applicability of the concept of trajectories to soma design. Soma design is a frst-person design method which considers users' subjective somatic or bodily experiences of a design. Due to bodily changes over time, soma experiences are inherently temporal. Current instruments for articulating soma experiences lack the power to express the efects of experiences on the body over time. To address this, we turn to trajectories, a well-known concept in the HCI community, as a way of mapping this aspect of soma experience. By showing trajectories through a range of dimensions, we can articulate individual experiences and diferences in those experiences. Through analysis of a set of

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Designing Digital Vertigo Experiences

Cited by 11 publications

References 102 publications

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

Towards Critical Heritage in the wild: Analysing Discomfort through Collaborative Autoethnography

Articulating Soma Experiences using Trajectories

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