2014
DOI: 10.1007/978-3-662-45212-7_25
|View full text |Cite
|
Sign up to set email alerts
|

Designing Interactive Public Art Installations: New Material Therefore New Challenges

Abstract: The new materials in public art installations give the birth to interactivity and participation, which in turn, introduces new challenges, not only in the creative design process, but also in how to involve the participants in this process and in evaluating the targeted experience such as such as social connectedness and inclusion. Six design cases are presented, as examples for interactive and participatory forms of these installations. The design techniques and the user experience evaluation methods overlap … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
7
0

Year Published

2015
2015
2024
2024

Publication Types

Select...
5
2
1
1

Relationship

1
8

Authors

Journals

citations
Cited by 11 publications
(7 citation statements)
references
References 13 publications
0
7
0
Order By: Relevance
“…However, while much research has elucidated the beneficial impact of engaging with visual art on well-being across diverse environments such as museums (Clow & Fredhoi, 2006;Fekete et al, 2023), online platforms (Trupp et al, 2022(Trupp et al, , 2023, hospitals (Karnik et al, 2014;McCabe et al, 2013;Rollins & Wallace, 2016), and residential interiors (Wikström et al, 1993), lesser attention has been devoted to investigating the well-being effects of art at the actual level of the public neighborhood or urban street. This is despite theoretical arguments that public artworks in urban spaces and streets have the potential to foster a sense of belonging and connection or attachment to one's neighborhood by bringing people together, inviting dialogue, reflection, and shared experiences among residents (Blackman, 2014;Froggett et al, 2014;Hu et al, 2014;Smedley, 2013). Opportunities for arts engagement are also argued to support neighborhood regeneration or "beautification" (Crumbaugh, 2001;Hall & Robertson, 2001;Mathews, 2010), which is linked to overall satisfaction with living in a community and improved well-being (Leslie & Cerin, 2008).…”
Section: Neighborhood/social Connectedness and Artsmentioning
confidence: 99%
“…However, while much research has elucidated the beneficial impact of engaging with visual art on well-being across diverse environments such as museums (Clow & Fredhoi, 2006;Fekete et al, 2023), online platforms (Trupp et al, 2022(Trupp et al, , 2023, hospitals (Karnik et al, 2014;McCabe et al, 2013;Rollins & Wallace, 2016), and residential interiors (Wikström et al, 1993), lesser attention has been devoted to investigating the well-being effects of art at the actual level of the public neighborhood or urban street. This is despite theoretical arguments that public artworks in urban spaces and streets have the potential to foster a sense of belonging and connection or attachment to one's neighborhood by bringing people together, inviting dialogue, reflection, and shared experiences among residents (Blackman, 2014;Froggett et al, 2014;Hu et al, 2014;Smedley, 2013). Opportunities for arts engagement are also argued to support neighborhood regeneration or "beautification" (Crumbaugh, 2001;Hall & Robertson, 2001;Mathews, 2010), which is linked to overall satisfaction with living in a community and improved well-being (Leslie & Cerin, 2008).…”
Section: Neighborhood/social Connectedness and Artsmentioning
confidence: 99%
“…This art form dynamically presents uncertainty and fosters audience engagement with artworks through various interactions and collaborative relationships [25]. Supported by emerging technologies [9,19], interactive art creates new art experiences that are widely embraced in the contemporary information era [18].…”
Section: Audience Experience With Paintingsmentioning
confidence: 99%
“…Dynamic digital art forms and interactive sculptures that have many characteristics in driving the dynamics in public spaces; they accommodate active or passive participants with different roles and goals, so they can be considered as unique attractive nodes, which have much to offer and to explore how the elements and techniques could contribute to enhance interaction design. (Jun, Mathias,Yu, Feng, 2014). Such as "INTERACTIVE DIGITAL FLAME" It is an interactive sculpture installation that is controlled by group bicycling, which change the color, intensity and motion of the flame lighting when people ride the bicycles, giving the sculpture various intensity of energy.…”
Section: Interactive Sculptures and Public Artmentioning
confidence: 99%