Designing Unconscious and Enactive Interaction for Interactive Movie Experience

Varisco, Laura; Interlandi, Giulio

doi:10.1007/978-3-030-50344-4_26

Cited by 2 publications

(2 citation statements)

References 9 publications

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“…Foregrounding the MSc thesis, "Designing Interaction for Enactive Storytelling Experiences," developed at the Politecnico di Milano School of Design, this work explores how the enactive paradigm comments upon eye-tracking and emotionanalysis technologies to offer input that enables enactivity (Varisco and Interlandi 2020).…”

Section: Methodsmentioning

confidence: 99%

“…The research presented in this paper stems from the work of Giulio Interlandi on interactive streaming experiences. In particular, Interlandi's investigation developed an interactive storytelling experience based on eye-tracking and emotion analysis to test the enactive paradigm, which addresses design issues through evidence-based explorations (Varisco and Interlandi 2020). Both the interactive prototypes and investigations facilitated initial guidelines to create design areas of experimentation that seek to identify starting points for future directions.…”

Section: Interaction Through Enactivitymentioning

confidence: 99%

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Enactive Experience for Streaming Media Services

Ciancia

Interlandi

2022

#IFM Journal

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Since the beginning of humankind, storytelling enabled people to understand and shape their impressions of reality. Depicted by Walter R. Fisher, the narrative paradigm encounters the ubiquitous computing dimension, as proposed by Mark Weiser (Fisher 1984, Weiser 1991), that results in the interdisciplinary field of Interactive Digital Narrative (IDN). Departing from the first text-based experimentation in the late 1970s, IDN can be considered a vibrant field wherein different forms of interactive artifacts derived such as Hypertext Fiction, Interactive Installations, Video Game Narrative (Koenitz et al. 2015), and Enactive Cinema (Tikka 2006, 2008). IDN presents a field of inquiry prevailing for over three decades, but the question remains: is it supposed to be strictly entertainment or something else? In response, this paper explores the possibility of implementing an enactive paradigm to design a tailored experience for streaming media services, thus proposing a conceptual, methodological framework for designing a system to be prototyped and tested in accompanying research.

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Section: Methodsmentioning

confidence: 99%

Section: Interaction Through Enactivitymentioning

confidence: 99%

Enactive Experience for Streaming Media Services

Ciancia

Interlandi

2022

#IFM Journal

Self Cite

View full text Add to dashboard Cite

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Searching, Navigating, and Recommending Movies through Emotions: A Scoping Review

Piçarra

Reis

Chambel

et al. 2022

Human Behavior and Emerging Technologies

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Movies offer viewers a broad range of emotional experiences, providing entertainment, and meaning. Following the PRISMA-ScR guidelines, we reviewed the literature on digital systems designed to help users search and browse movie libraries and offer recommendations based on emotional content. Our search yielded 83 eligible documents (published between 2000 and 2021). We identified 22 case studies, 34 empirical studies, 26 proof of concept, and one theoretical paper. User transactions (e.g., ratings, tags) were the preferred source of information. The documents examined approached emotions from both a categorical ( n = 35 ) and dimensional ( n = 18 ) perspectives, and nine documents offer a combination of both approaches. Although there are several authors mentioned, the references used are frequently dated, and 12 documents do not mention author or model used. We identified 61 words related to emotion or affect. Documents presented on average 1.36 positive terms and 2.64 negative terms. Sentiment analysis ( n = 31 ) is frequently used for emotion identification, followed by subjective evaluations ( n = 15 ), movie low-level audio and visual features (n = 11), and face recognition technologies ( n = 8 ). We discuss limitations and offer a brief review of current emotion models and research.

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Designing Unconscious and Enactive Interaction for Interactive Movie Experience

Cited by 2 publications

References 9 publications

Enactive Experience for Streaming Media Services

Enactive Experience for Streaming Media Services

Searching, Navigating, and Recommending Movies through Emotions: A Scoping Review

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