2015
DOI: 10.12801/1947-5403.2015.07.02.10
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Deviance and Risk on Holiday: An Ethnography of British Tourists in Ibiza (Daniel Briggs)

Abstract: opens his Remixology: Tracing the Dub Diaspora by writing that "dub is a genre and a process", as he describes the intersection of Afrodiasporic and Rastafari soundsystem culture with bass-heavy music styles as "ethereal, mystical, conceptual, fluid, avant-garde, raw, unstable, provocative, postmodern, disruptive, heavyweight, political, enigmatic. . ." (2014: 7). Dub resonates as an echo through all of these signs, though Remixology tends to provide a lightweight treatment of the complex of metaphors Sullivan… Show more

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“…Williams & Walker, 2006). The growing corpus of work on deviant leisure and tourism has looked at, variously, joyriding, street-racing, the consumption of illegal forms of pornography, and graffiti writing-the types of crime that transpire from very serious leisure activities (Stebbins, 1996), as well as vandalism, gangs-related behavior, risk-taking, and crime (Bhati & Pearce, 2016;Briggs, 2013;Stodolska et al, 2019;Uriely & Belhassen, 2006;Wickens, 1997;D. Williams & Walker, 2006).…”
Section: Deviant Leisurementioning
confidence: 99%
“…Williams & Walker, 2006). The growing corpus of work on deviant leisure and tourism has looked at, variously, joyriding, street-racing, the consumption of illegal forms of pornography, and graffiti writing-the types of crime that transpire from very serious leisure activities (Stebbins, 1996), as well as vandalism, gangs-related behavior, risk-taking, and crime (Bhati & Pearce, 2016;Briggs, 2013;Stodolska et al, 2019;Uriely & Belhassen, 2006;Wickens, 1997;D. Williams & Walker, 2006).…”
Section: Deviant Leisurementioning
confidence: 99%