2013
DOI: 10.1080/15295036.2012.672758
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Diasporic Film Cultures from a Multi-level Perspective: Moroccan and Indian Cinematic Flows In and Towards Antwerp (Belgium)

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Cited by 5 publications
(2 citation statements)
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“…A few articles investigated the topic of diasporic film culture; these articles, on the one hand, invested in understanding the issues of cultural authenticity and construction of “otherness” in film‐representations (it is worth noting that some of such representations are distinctly different from the Bollywood styles); and, on the other hand, the scholars explored the structural issues and challenges associated with diasporic film productions, including the access to resources and infrastructure, transnational and local networks and resources (including human resources), as well as the legal and informal transnational circulation of film (Mudliar & Pal, 2015; Smets et al., 2013).…”
Section: Intercultural Transitionsmentioning
confidence: 99%
“…A few articles investigated the topic of diasporic film culture; these articles, on the one hand, invested in understanding the issues of cultural authenticity and construction of “otherness” in film‐representations (it is worth noting that some of such representations are distinctly different from the Bollywood styles); and, on the other hand, the scholars explored the structural issues and challenges associated with diasporic film productions, including the access to resources and infrastructure, transnational and local networks and resources (including human resources), as well as the legal and informal transnational circulation of film (Mudliar & Pal, 2015; Smets et al., 2013).…”
Section: Intercultural Transitionsmentioning
confidence: 99%
“…(Bkz. Dudrah, 2002;Desai, 2005;Punathambekar, 2005;Athique, 2005Athique, , 2011Banaji, 2006;Smets vd., 2011Smets vd., , 2013 (Mayne, 1993, s. 17-19).…”
Section: Sonuçunclassified