Subjects' identification of stop-vowel "targets" was obtained under monotic and dichotic, forward and backward, masking conditions. Masks, or "challenges," were another stop-vowel or one of three nonspeech sounds similar to parts of a stop-vowel. Backward masking was greater than forward in dichotic conditions. Forward masking predominated monotically. Relative degree of masking for different challenges suggested that dichotic effects were predicated on interference with processing of a complex temporal array of auditory "features" of the targets, prior to phonetic decoding but subsequent to basic auditory analysis. Monotic effects seemed best interpreted as dependent on relative spectrum levels of nearly simultaneous portions of the two signals.Dichotic presentation of certain speech sounds appears to result in at least two forms of interaction. One form, which we will refer to as phonetic competition, can be revealed by changes in subjects' performance which appear to be more a function of the phonetic message of the signals than of their acoustic structures (e.g., Studdert-Kennedy, Shankweiler, & Pisani, 1972). A second type of interaction, which we will refer to as central auditory masking, can be revealed by changes in subjects' performance which appear to be more a function of the acoustic properties of the competing signals than of their phonetic messages (e.g., Berlin, Porter, Lowe-Bell, Berlin, Thompson, & Hughes, 1973). The present study deals primarily with this second type of interaction and extends the findings of the earlier work.Berlin, Porter et al. (1973) asked subjects to identify speech-sound targets (stop-vowels) presented in dichotic competition with three types of speech and nonspeech masks, Or "challenges." The dichotic challenge could be a steady-state vowel, a nonspeech two-formant "bleat" (which consisted of the second and third formants