2021
DOI: 10.1080/14680777.2021.1886142
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Digital footprints of #MeToo

Abstract: When the #MeToo movement exploded onto social media in October 2017, it dramatically ruptured public consciousness in revealing the widespread nature of sexual harassment and violence around the world. Yet, despite the global attention afforded to #MeToo, it was preceded by numerous initiatives, which we argue created digital footprints instrumental in rendering #MeToo intelligible. As such, the aim of this article is two-fold. Firstly, it offers the first attempt to map a diverse range of initiatives which ha… Show more

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Cited by 37 publications
(23 citation statements)
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“…By exploring how witnesses participated in the Chinese #MeToo movement by centring how sexual harassment serves and stems from power and privilege, we can see how these actors' acts of listening were key to making survivors/victims' stories meaningful. This further contributes to an understanding of how an individual experience has been transformed into a collective concern, through witnessing others' experience, to create the power-with possibility that can challenge gendered hegemonic structure (see also Loney-Howes et al, 2021). Although digital media can foster feelings of being in someone else's shoes (Rodino-Colocino, 2018), practices of collective listening 'would refuse the presumption that political solidarity arises automatically from stories of rape and sexual violence' (Serisier, 2018, p. 193); listening alone does not build solidarity or spark collective action.…”
Section: Narrators: Gaining a Sense Of Personal Empowermentmentioning
confidence: 99%
See 2 more Smart Citations
“…By exploring how witnesses participated in the Chinese #MeToo movement by centring how sexual harassment serves and stems from power and privilege, we can see how these actors' acts of listening were key to making survivors/victims' stories meaningful. This further contributes to an understanding of how an individual experience has been transformed into a collective concern, through witnessing others' experience, to create the power-with possibility that can challenge gendered hegemonic structure (see also Loney-Howes et al, 2021). Although digital media can foster feelings of being in someone else's shoes (Rodino-Colocino, 2018), practices of collective listening 'would refuse the presumption that political solidarity arises automatically from stories of rape and sexual violence' (Serisier, 2018, p. 193); listening alone does not build solidarity or spark collective action.…”
Section: Narrators: Gaining a Sense Of Personal Empowermentmentioning
confidence: 99%
“…Allen (1998) defines power-to as 'the ability of an individual actor to attain an end or series of ends that serve to subvert domination' (p. 35). Women are not passive victims who are inevitably and uniformly dominated, but are instead active agents capable of exercising power in the generative sense (Deveaux, 1994;Lister, 2003).…”
Section: Power-over: Intersecting the Structural And Discursive Domainsmentioning
confidence: 99%
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“…Yet, since the mid-2000s onwards, activist groups such as Our Streets Now, Stop Street Harassment, and Right to Be (formally Hollaback!) have been agitating for change, disrupting the perception of harassment as 'trivial' or 'complimentary' (Desborough 2018;Fileborn 2022;Loney-Howes et al 2021). Contemporary discursive constructions of street harassment are, therefore, actively contested and evolving.…”
Section: Minimisation and Public Attitudesmentioning
confidence: 99%
“…The Me Too movement became an international phenomenon, reaching at least 85 countries ( Sayej, 2017 ), as survivors shared their personal experiences of sexual violence in conjunction with media exposés of powerful men. The Me Too movement has contributed to a cultural discourse on the implications of power, gender-based violence, and systemic silencing of survivors ( Loney-Howes et al, 2021 ).…”
mentioning
confidence: 99%