“…While there is still a discourse on the objectivity of image enhancement (Read & Chippindale, ), it is widely accepted by rock art researchers as reducing subjectivity (Brady, ; Brady & Gunn, ; David, Brayer, McNiven, & Watchman, ; Le Quellec, Duquesnoy, & Defrasne, ). Image processing with DStretch ® (Burton, Adams, Willis, & Nadel, ; Defrasne, ; Gunn et al., ; Harman, ; Le Quellec et al., ; Taçon et al., , , ; Tan, Sokrithy, Than, & Chan, ), Adobe ® Photoshop ® software (Brady, ; David et al., ; Domingo, Villaverde, López‐Montalvo, Lerma, & Cabrelles, ; Gunn et al., ; Mark & Billo, ), and other photograph manipulation software (Clogg, Dı́az‐Andreu, & Larkman, ) are currently an integral part of recording and digital tracing of painted rock art sites.…”