Digital Literacy as a Social Mobilization and Learning Platform

Veronika, Restani; Camelia, Camelia; Febriliana, Rani; Yapen, Yuce Eviona

doi:10.55681/seikat.v2i3.544

Cited by 1 publication

(1 citation statement)

References 57 publications

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“…However, researchers noticed, although culture is increasingly developing with various innovations, the other side of the dance has been abandoned by young people for various reasons (Anjini et al, 2022;Awak et al, 2023;Dela et al, 2022;Keristina et al, 2023;Merdiasi, 2013;Merdiasi et al, 2017Merdiasi et al, , 2022Merdiasi & Kristiani, 2021;Pernando et al, 2022;Prakosa, 2022;Rahmelia, 2020;Rahmelia, Prihadi, et al, 2023;Rahmelia & Agustina, 2022;Rahmelia & Prasetiawati, 2021;Tirayoh et al, 2023;Valentino et al, 2023;Veronika et al, 2023;Wulan, 2005Wulan, , 2023Wulan & Sanjaya, 2022). The reason could be due to the fact that technology is now advanced, so that dance can be witnessed in a virtual space.…”

Section: Introductionmentioning

confidence: 99%

Art and Philosophy: Harmony of Giring-Giring Dance, Manganjan Dance, Tambun Bungai Dance of Kalimantan Tengah

Lelunu,

Putri,

Daniel

et al. 2023

harmonia

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The possibility of tradition collaborating with dance, music and performance art is an amazing art. However, it becomes problematic if the space to perform one of the parts of tradition, namely dance as an art or work in certain regions or localities, is still minimal. Either from the history of dances from certain regions, for example Central Kalimantan, especially the Ma'anyan Dayak community, or the method of usage or meaningful values in the form of ribut rukun, togetherness, care and exploration space. This research method uses a literature review that examines the results of previous studies as secondary sources, online media, and accompanying photos of dances originating from Central Kalimantan. The findings show that the Dayak Giring-Giring dance, Manganjan Dance and Tambun Bungai Dance have a variety of cultural richness, the meaning of friendship, as well as a rich history that must get space from generation to generation to the global community as a cultured, dignified, valuable and communal dance.

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