2009
DOI: 10.1007/s12130-009-9086-8
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Digital Photography and Picture Sharing: Redefining the Public/Private Divide

Abstract: Digital photography is contributing to the renegotiation of the public and private divide and to the transformation of privacy and intimacy, especially with the convergence of digital cameras, mobile phones, and web sites. This convergence contributes to the redefinition of public and private and to the transformation of their boundaries, which have always been subject to historical and geographical change. Taking pictures or filming videos of strangers in public places and showing them in webs like Flickr or … Show more

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Cited by 72 publications
(43 citation statements)
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“…For example, on SNSs selfies and other photos are used as identity building blocks that assist in sustaining peer groups (Van Dijck, 2008). Such online photo sharing transforms the boundaries between publicity and privateness (Lasén & Gómez-Cruz, 2009). …”
Section: Teenager Sns Logicsmentioning
confidence: 99%
“…For example, on SNSs selfies and other photos are used as identity building blocks that assist in sustaining peer groups (Van Dijck, 2008). Such online photo sharing transforms the boundaries between publicity and privateness (Lasén & Gómez-Cruz, 2009). …”
Section: Teenager Sns Logicsmentioning
confidence: 99%
“…New technologies, for example, often generate context-collision and prompt reconsidering expectations and norms. They do so by contributing to blur the boundaries between social situations and thereby encourage new practices of sociability [19]. For example, online platforms challenge trust as they create relatively unfamiliar environments, entail flexible and often unverifiable identities, involve disembodiment as the participants are not physically present, and call into being inscrutable contexts in which role definition may become problematic [20].…”
Section: (Scattered) Maps Of Privacymentioning
confidence: 99%
“…Podemos citar a emergência de novos formatos de relações interpessoais através da imagem (RIVIÈRE, 2006); o caráter híbrido, de conexão e produção de imagem atrelado aos telefones celulares (LE-MOS, 2007); as formas de intimidade e relações entre público e privado (LASÉN, 2013;LASÉN;GÓMEZ CRUZ, 2009); a rede sociotécni-ca pautada pela conectividade (GÓMEZ CRUZ e MEYER, 2012); a "imagem conversacional" (GUNTHERT, 2014); a relação da fotografia com softwares, algoritmos, metadados e o espaço urbano (HOCHMAN, 2014;HOELZL;MARIE, 2016;MANOVICH, 2016), entre outros. Há mudanças nas relações com os lugares e com a prática fotográfi-ca mediada por aplicativos (BOULLIER, 2014) e nas interações que se configuram não apenas no momento da própria ação de fotografar, mas também nos rastros de sociabilidade e dados gerados e propagados em uma continuidade da experiência.…”
Section: Conclusãounclassified