1989
DOI: 10.1002/j.2162-6057.1989.tb00700.x
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Discriminating Characteristics of the Families of Highly Creative Adolescents*

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Cited by 42 publications
(24 citation statements)
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“…Metaanalyses show that the most conspicuous traits of creative individuals are tolerance of ambiguity, risk-taking, preference for disorder, delay of gratification (Dacey, 1989); aesthetic sensitivity, broad interests, attraction to complexity, independence of judgment, self-confidence, creative self-concept (Barron & Harrington, 1981); autonomous, introverted, open to new experience, norm-doubting, self-confident, self-accepting, driven, ambitious, dominant, hostile, and impulsive (Feist, 1998). In Feist's study, he found that openness, conscientiousness, self-acceptance, hostility, and impulsivity had the largest effect size in explaining creativity.…”
Section: Personality Approach To Creativitymentioning
confidence: 99%
“…Metaanalyses show that the most conspicuous traits of creative individuals are tolerance of ambiguity, risk-taking, preference for disorder, delay of gratification (Dacey, 1989); aesthetic sensitivity, broad interests, attraction to complexity, independence of judgment, self-confidence, creative self-concept (Barron & Harrington, 1981); autonomous, introverted, open to new experience, norm-doubting, self-confident, self-accepting, driven, ambitious, dominant, hostile, and impulsive (Feist, 1998). In Feist's study, he found that openness, conscientiousness, self-acceptance, hostility, and impulsivity had the largest effect size in explaining creativity.…”
Section: Personality Approach To Creativitymentioning
confidence: 99%
“…Creative people tend to be aware of their own creativity (Walberg, 1988;Walberg & Herbig, 1991) and childlike and openminded (Dacey, 1989;Barron, 1988;Tardif & Sternberg, 1988;Walberg;Walberg & Herbig), and they also tend to have a playful and humorous approach to problem solving (Fabun, 1968;Getzels & Jackson, 1962). Creative people tend to be aware of their own creativity (Walberg, 1988;Walberg & Herbig, 1991) and childlike and openminded (Dacey, 1989;Barron, 1988;Tardif & Sternberg, 1988;Walberg;Walberg & Herbig), and they also tend to have a playful and humorous approach to problem solving (Fabun, 1968;Getzels & Jackson, 1962).…”
Section: Three Components Of Creativitymentioning
confidence: 99%
“…They primarily ensured that a variety of experience and openness to novelty was provided (Csikszentmihályi, 1999;Foster, 2004;Gute, Gute, Nakamura, & Csikszentmihályi, 2008), whilst stimulating their child's persistence and encouraging effort (Amabile, 1996;Bloom & Sosniak, 1981) as well as developing non-conformist attitudes and independence in forming judgments (Getzels & Jackson, 1961;Miller & Gerard, 1979;Miller, Lambert, & Neumeister, 2012) and making choices. Finally, they did so by stimulating fantasizing and by appreciating the use of imagination (Dacey, 1989;Wallach & Kogan, 1965;Taylor, 1999). Creativity at this stage of life is mostly a lifestyle, a means of framing and solving problems.…”
Section: Resultsmentioning
confidence: 99%
“…For the child, on the other hand, early childhood experiences -including the climate of the family home -are associated with types of possibilities for realizing their creative potential later on in life (e.g. Amabile, 1996;Block, Block, & Harrington, 1987;Dacey, 1989;Foster, 2004;Getzels & Jackson, 1961;Gute, Gute, Nakamura, & Csikszentmihályi, 2008;Miller & Gerard, 1979;Miller, Lambert, & Neumeister, 2012;Simonton, 1984;Taylor, 1999;Walberg et al, 1996;Wallach & Kogan, 1965).…”
Section: The Present Studymentioning
confidence: 99%