1971
DOI: 10.1016/0010-0285(71)90006-5
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Discrimination in speech and nonspeech modes

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Cited by 186 publications
(116 citation statements)
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“…Thus, place information for a given consonant is carried by a rising transition in one vowel context and a falling transition in another (Liberman, Delattre, Cooper, & Gerstman, 1954). In isolation, these transitions sound like two different glissandi or chirps, which is just what everything we know about auditory perception leads us to expect (Mattingly, Liberman, Syrdal, & Halwes, 1971); they do not sound alike, and, just as important, neither sounds like speech. How is it, then, that, in context, they nevertheless yield the same consonant?…”
Section: An Issue That Any Theory Of Speech Perception Must Meetmentioning
confidence: 99%
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“…Thus, place information for a given consonant is carried by a rising transition in one vowel context and a falling transition in another (Liberman, Delattre, Cooper, & Gerstman, 1954). In isolation, these transitions sound like two different glissandi or chirps, which is just what everything we know about auditory perception leads us to expect (Mattingly, Liberman, Syrdal, & Halwes, 1971); they do not sound alike, and, just as important, neither sounds like speech. How is it, then, that, in context, they nevertheless yield the same consonant?…”
Section: An Issue That Any Theory Of Speech Perception Must Meetmentioning
confidence: 99%
“…Thus, if one were predicting sensitivity to speech from sensitivity to the analogous nonspeech sounds,' one would make exactly the wrong predictions. More recent studies have made more direct comparisons and found differences in discrimination functions when, in speech context, formant transitions cued place distinctions among stops and liquids, and when, in isolation, the same transitions were perceived as nonspeech sounds (Mattingly et al, 1971;Miyawaki, Strange, Verbrugge, Liberman, Jenkins, & Fujimura, 1975).…”
Section: Phonetic and Auditory Responses To The Cuesmentioning
confidence: 99%
“…One stimulus is simply the second-formant transition excised from the syllable and presented in isolation. Mattingly, Liberman, Syrdal, and Halwes (1971) noted that these brief glissandi sounded like the discrete elements of birdsong, and they dubbed them "chirps." The other stimulus is the remainder of the syllable without the second-formant transition.…”
Section: Spectral/temporal Fusion: Perceptual Construction Of Phonemementioning
confidence: 99%
“…Second, as many experiments have shown (e.g. Mann & Liberman, 1983;Mattingly, Liberman, Syrdal, & Halwes, 1971), a brief formant transition removed from the speech signal is heard as a rapid, integral glissando, or 'chirp,' of which the parts or 'spectral changes' cannot be perceptually individuated. ' (p. 511).…”
Section: Symptomsmentioning
confidence: 99%
“…' (p. 511). Mann and Liberman (1983) make this claim: 'Given transitions that change in relatively small physical steps, from one appropriate for /d/ to one appropriate for /g/, the percept changes, not in correspondingly small steps, but suddenly (Mattingly et al, 1971;Studdert-Kennedy & Shankweiler, 1970). This nearly categorical shift marks a sharp boundary between the phones [d] and [g]; it is commonly reflected and measured as a relative increase in discriminability of the stimuli at the category boundary.…”
Section: Symptomsmentioning
confidence: 99%