2016
DOI: 10.1523/jneurosci.0053-16.2016
|View full text |Cite
|
Sign up to set email alerts
|

Dissociating Prediction Failure: Considerations from Music Perception

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1

Citation Types

7
14
0

Year Published

2017
2017
2021
2021

Publication Types

Select...
6
3

Relationship

0
9

Authors

Journals

citations
Cited by 22 publications
(21 citation statements)
references
References 14 publications
7
14
0
Order By: Relevance
“…Despite these limitations, our work provides further evidence for the effect of uncertainty-or precisionon prediction error, which is consistent with an increasing number of empirical findings (Garrido et al, 2013;Hsu et al, 2015;Lumaca et al, 2019;Sedley et al, 2016;Sohoglu & Chait, 2016;Southwell & Chait, 2018), theories of predictive processing and models of music perception (Clark, 2016;Feldman & Friston, 2010;Hohwy, 2013;Ross & Hansen, 2016;Vuust et al, 2018). Furthermore, our findings confirm that MMNm responses can be reliably recorded in realistic paradigms where sounds constantly change, which constitutes a methodological improvement on existing approaches.…”
Section: Limitations and Future Directionssupporting
confidence: 88%
See 1 more Smart Citation
“…Despite these limitations, our work provides further evidence for the effect of uncertainty-or precisionon prediction error, which is consistent with an increasing number of empirical findings (Garrido et al, 2013;Hsu et al, 2015;Lumaca et al, 2019;Sedley et al, 2016;Sohoglu & Chait, 2016;Southwell & Chait, 2018), theories of predictive processing and models of music perception (Clark, 2016;Feldman & Friston, 2010;Hohwy, 2013;Ross & Hansen, 2016;Vuust et al, 2018). Furthermore, our findings confirm that MMNm responses can be reliably recorded in realistic paradigms where sounds constantly change, which constitutes a methodological improvement on existing approaches.…”
Section: Limitations and Future Directionssupporting
confidence: 88%
“…Interestingly, even though MMNm responses were reliable, their amplitudes were reduced in the HE context compared to the LE context, for pitch and slide deviants. This is consistent with predictive processing theories which propose that prediction error responses are reduced in contexts with high as compared to low uncertainty or, equivalently, low as compared to high precision (Clark, 2016;Feldman & Friston, 2010;Hohwy, 2013;Ross & Hansen, 2016;Vuust, Dietz, Witek, & Kringelbach, 2018). The ensuing precision-weighted prediction error would ensure that primarily reliable sensory signals drive learning and behavior.…”
Section: Introductionsupporting
confidence: 85%
“…Conversely, encoding of interval information requires more intensive training and long retention intervals (Dowling and Bartlett, 1981) . In the current experiment, the use of the Bohlen-Pierce scale ensures that there is no contamination of prior knowledge from earlier music life exposure (Ross and Hansen, 2016) . The fact that a tonal hierarchy is not readily available to the participants may have hindered the detection of interval changes.…”
Section: Discussionmentioning
confidence: 99%
“…Carrus, Pearce, & Bhattacharya, 2013;Koelsch, Gunter, Friederici, & Schröger, 2000;Vuust et al, 2005). Interestingly, precision has been suggested to modulate musical prediction error and play an important role in the perceptual, aesthetic and emotional dimensions of musical experience (Hansen, Dietz, & Vuust, 2017;Ross & Hansen, 2016;Vuust, Witek, Dietz, & Kringelbach, 2018). Bringing empirical support to these claims, two behavioral studies have shown that listeners estimate the precision of musical expectations and that low-probability tones are judged as more unexpected in contexts with low as compared to high uncertainty (Hansen & Pearce, 2014;Hansen, Vuust, & Pearce, 2016).…”
Section: Introductionmentioning
confidence: 99%