Dogs on Film: Status, Representation, and the Canine Characters Test

Abstract

The representation of animals in cinema and television reflects and reinforces dominant ideologies and traditional stereotypes. While popular culture often legitimizes prevailing social norms and existing power relations, it can also reflect shifting cultural attitudes about traditional axes of inequality such as race, gender, class, sexual orientation, disability, and species. Representations of canine characters incidentally embedded in family life provide a unique lens through which to consider the evolving cultural and legal status of dogs and their place in multispecies families. This article introduces a Canine Characters Test, similar to the Bechdel Test used to measure the representation of women in movies, to critically evaluate the representation of dogs in film and television. Applying the test and its four criteria—Role in Narrative, Agency, Language, and Animality—to two examples, this article argues that portrayals that pass the test support a positive shift in social norms regarding dog–human relationships, which in turn bolsters efforts to elevate dogs’ status under the law. Benevolent speciesism, authenticity, and problematic tropes such as vanishing, ornamental, and miraculous canines are also discussed.