2011
DOI: 10.1016/j.emospa.2010.11.001
|View full text |Cite
|
Sign up to set email alerts
|

Domestic belongings: Intimate security and the racial politics of scale

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
20
0

Year Published

2012
2012
2022
2022

Publication Types

Select...
6
1
1

Relationship

1
7

Authors

Journals

citations
Cited by 29 publications
(20 citation statements)
references
References 6 publications
0
20
0
Order By: Relevance
“…Echoing ‘realist‐inspired traditional geopolitics’, this ideal of governmentality constructs the international realm as distinct from the domestic, one in which sovereign power within the nation‐state is absolute (Dodds 1996, 573). The conceptual emphasis of scholarship has progressed however to concentrate on the interpenetration of the geopolitical and intimate (Caluya 2010; Mountz and Hyndman 2006). The interconnections between places such as the border, home and body has been captured in Berelowitz’s (2005) analysis of the ways that artists in the San Diego Tijuana borderlands of the United States have represented domestic spaces from the late 1960s to the present.…”
Section: Home(land) and Nationmentioning
confidence: 99%
See 2 more Smart Citations
“…Echoing ‘realist‐inspired traditional geopolitics’, this ideal of governmentality constructs the international realm as distinct from the domestic, one in which sovereign power within the nation‐state is absolute (Dodds 1996, 573). The conceptual emphasis of scholarship has progressed however to concentrate on the interpenetration of the geopolitical and intimate (Caluya 2010; Mountz and Hyndman 2006). The interconnections between places such as the border, home and body has been captured in Berelowitz’s (2005) analysis of the ways that artists in the San Diego Tijuana borderlands of the United States have represented domestic spaces from the late 1960s to the present.…”
Section: Home(land) and Nationmentioning
confidence: 99%
“…In this sense, as Dodds (2008) contends in relation to film, the creative process of representing the war on terror encompasses not just the battlefields of Iraq or the mountains of Afghanistan, but also domestic spaces which play a critical role in shaping the identities of the protagonists and associated events. Caluya (2010, 208) has traced, for example, the creation of fear within the Australian media of 'homegrown' terrorism which has turned the family home ‘into a space for the cultivation of a suspicious citizenship’. It is purported that ‘the great Australian dream of owning your own home has been twisted uncannily to hide the criminal intentions of malevolent (Caluya 2010, 208).…”
Section: Geopolitical Homesmentioning
confidence: 99%
See 1 more Smart Citation
“…My interest in the emergence of home security systems in America grows out of a larger research project to trace what I have been calling 'intimate security', which I have used to name both the privatization of security and the increasing securitization of intimacy from the late twentieth century onwards (see Caluya 2007Caluya , 2011Caluya, Germon, and Probyn, 2014). This article focuses on the first process, the privatization of security, which builds on an earlier article (Caluya 2007) where I analysed the emergence of 'defensible space' and 'crime prevention through environmental design' (CPTED) in 1970s America.…”
mentioning
confidence: 99%
“…[txt]My overarching approach to Las Gladiolas' deterioration and demolition is inspired instead by geographical work that extends an understanding of the home to include multiple spatial, temporal, political, and psychic/subjective scales and combines a recognition of the social and material interrelations of the home with imaginary realms; with the political at different scales; the subjective and collective; and the past, present, and future (Blunt and Dowling 2006: 27;Brickell 2012aBrickell , b, 2014Caluya 2010). Rethinking the home and the ways it is unmade along such multiscalar geographies allows for an analysis of the deteriorated lifts and stairs as building technologies that contain and evoke past and present personal and community struggles, articulated through narratives of racialized, gendered, and class-based senses of place.…”
mentioning
confidence: 99%