DVFx, and Modernization of Technology: Audience’s Changing Taste in the 21st Century

Abstract

The changes from analogue to digital in the film industry occurred rapidly and triggered a change in the landscape, especially in the usage of digital visual effects (DVFx). Thus, films that use the digital visual effects have developed a demand for technology exploitation among audiences. The most powerful effect afforded by digitization is the changes in the relationship between film and audience, especially in the aspect of cinema spectacle. Previously, the use of digital visual effects served merely to fix or modify damaged or negative elements in the post-production process, but it also has contributed to transformation of the tastes of audiences in 21st century cinemas. Tastes and aesthetic judgments are manifestations of aspects of class inequality and social, cultural and reproduction ideology. To evaluate tastes especially within different systems of society is not a simple matter as there has been a change in various aspects of society due to technological advances. This judgment involves complex processes and variables. This paper explored how globalization impacts audiences' changing tastes with the juxtaposition of the digital visual effects revolution. The research used qualitative research methods, which is focus group discussions involving three groups of moviegoers from Malaysia, India and Australia. The analysis of the findings is divided into two main themes: modernization and technology. In general, the findings show that taste among movie audiences is a typical representation of the middle class society.

Television Consumption Patterns among Sabah’s Kadazan-Dusun Youth in the Era of Digital Society

“…When it comes to watching television, it is essential to have a conversation about one's cognitive and emotional requirements. The cognitive and emotional demands placed on respondents were found to have a substantial impact on how they accessed portal television, as stated by Hashim, (2019). They feel that watching television will fulfil both their intellectual and emotional requirements.…”

“…According to research on audience segmentation, respondents are more likely to favour television programmes that are focused on personal interests rather than ones that are significant to them and their community. In addition, Hashim (2019) found that respondents' self-preferences and personal tastes had a substantial impact on the degree to which they enjoy watching television. There are significant differences between the gratification and satisfaction needs of viewers who are Malay and viewers who are not Malay when it comes to the portal television programmes that they choose to watch.…”

“…Furthermore, a study by Hashim (2019) questions the notion that audiences of a particular age, education level, religion, social class, and ethnic origin share common interests and are primarily interested in the same culture and media preferences. They have their own preferences and tastes in today's digital culture.…”