“…Like Beukes' debut novel Moxyland (2008), the text welds speculative fiction to the topography of the South African city (Bethlehem 2014, 522). 2 Where Moxyland pivots on the relation between the urban infrastructure sustaining the information economy of a futuristic Cape Town and the necropolitical legacies of 1 The emphasis on planned violence distinguishes this approach from Nuttall's (2008) mapping of Johannesburg as a "literary city" with reference to the infrastructures of the (Bethlehem 2014;see Mbembe 2003), Zoo City makes salient the visible and invisible scaffolding of quotidian life in postapartheid Johannesburg (Bethlehem 2015, 13-14;Dickson 2014;Graham 2015, 71-75;Hoad 2016;Propst 2017;Sofianos 2013). If the novel approaches the status of "civic allegory" as Neville Hoad suggests (2016, 301), it is also shot through with references to local intertexts.…”