“…The Meggers, Evans & Estrada 1965 Smithsonian monograph contains 26 plates that illustrate the same range of variation in technique and motif in broad-line incised, zoned incised, zoned punctuate, pseudo corrugated, multiple drag-and-jab, shell combed bands, overall shell scraped, finger grooved, excised, rocker stamped, drag-and-jab punctuate, and cord impressed decoration from Valdivia and Jomon sites. A photograph of a distinctive early technique consisting of a row of finger-tip impressions on the interior of the shoulder producing a low boss on the exterior, which we did not encounter during our visit to Kyushu, was sent to us recently by a Japanese colleague.…”