Early Modern Illusions of Perfect Male Friendship: The Case of Cervantes’s “El curioso impertinente”

Gil-Osle, Juan Pablo

doi:10.3138/cervantes.29.1.085

Cervantes

2009

DOI: 10.3138/cervantes.29.1.085

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Early Modern Illusions of Perfect Male Friendship: The Case of Cervantes’s “El curioso impertinente”

Juan Pablo Gil-Osle¹

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2014

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Cited by 2 publications

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Performing Adaptation in Guillén de Castro’s El curioso impertinente

Baum¹

2014

boc

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This essay examines the role of adaptation in Guillén de Castro’s play El curioso impertinente . Castro’s play, in spite—or perhaps because—of its relationship to Cervantes’s novela of the same name, has received relatively little attention as a work of its own merit, and particularly for its representation of early modern ideas on adaptation. The majority of the critical work about Castro’s play has focused on a single issue: fidelity to the source text. Moving beyond questions of textual fidelity, the essay shows how Castro’s version of El curioso impertinente stages adaptation within the play itself and how that staging offers insight into Castro’s own adaptive practices. The essay argues that Castro reworks Cervantes’s novela by exploring adaptation as a creative process of appropriation and intervention, both for the play as a whole and as part of the dramatic action of the piece.

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Performing Adaptation in Guillén de Castro’s El curioso impertinente

Baum¹

2014

boc

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La media rota de Alonso Quijano: Desengaño y cortesía en el episodio de los duques

Mansilla¹

2014

Cervantes

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Early Modern Illusions of Perfect Male Friendship: The Case of Cervantes’s “El curioso impertinente”

Cited by 2 publications

References 50 publications

Performing Adaptation in Guillén de Castro’s El curioso impertinente

Performing Adaptation in Guillén de Castro’s El curioso impertinente

La media rota de Alonso Quijano: Desengaño y cortesía en el episodio de los duques

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