2020
DOI: 10.1353/tj.2020.0083
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Early Modern Theatre and the Figure of Disability by Genevieve Love

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“…The gradual revelation of the suppressed story of her family's historical part in the slave trade -revealed as she revisits the ruins of ancestral homes -prompts Rose to reconsider her own memories of seemingly loving relationships with the cooks, nannies, and maids whom she had naively considered as 'toutes mes tantes, mes mères, ma famille parallèle'. 46 She is forced uncomfortably to question the different kinds of collective memory, dominant or dominated, celebrated or suppressed, held by different sections of society, and so by those immediately around her:…”
Section: Open Accessmentioning
confidence: 99%
“…The gradual revelation of the suppressed story of her family's historical part in the slave trade -revealed as she revisits the ruins of ancestral homes -prompts Rose to reconsider her own memories of seemingly loving relationships with the cooks, nannies, and maids whom she had naively considered as 'toutes mes tantes, mes mères, ma famille parallèle'. 46 She is forced uncomfortably to question the different kinds of collective memory, dominant or dominated, celebrated or suppressed, held by different sections of society, and so by those immediately around her:…”
Section: Open Accessmentioning
confidence: 99%