1989
DOI: 10.2307/3336719
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Earth, Vessels, and Harmony among the Gurensi

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Cited by 20 publications
(11 citation statements)
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“…There might have been practical reasons for the use of grog as temper -it was certainly a readily available temper material. Ethnographic studies have also shown strong social and symbolic value in the practice of tempering new pots with old ones (Gosselain, 1999;Gosselain and Livingstone Smith, 2005;Pikirayi and Lindahl, 2013;Smith, 1989;Sterner, 1989). It might be that the foreign grog represents traces of potters who arrived at a new home (e.g., due to migration or marriage), with their personal ceramic utensils.…”
Section: Discussionmentioning
confidence: 99%
“…There might have been practical reasons for the use of grog as temper -it was certainly a readily available temper material. Ethnographic studies have also shown strong social and symbolic value in the practice of tempering new pots with old ones (Gosselain, 1999;Gosselain and Livingstone Smith, 2005;Pikirayi and Lindahl, 2013;Smith, 1989;Sterner, 1989). It might be that the foreign grog represents traces of potters who arrived at a new home (e.g., due to migration or marriage), with their personal ceramic utensils.…”
Section: Discussionmentioning
confidence: 99%
“…Although figurines and amulets are typically discussed as having been part of magical acts or protection from such acts, objects functioning as containers (such as buildings and incensarios) appear to be the most common category of material culture in which mana is imbued or transferred, resulting in people and objects with power and agency (Gosselain 1999; Mondragon 2004; Pendergast 1998; Smith 1989; Sterner 1989; Stross 1998). The construction of buildings reflects not only a building event, but a consecration of space that “activates” and cleanses places, establishing a connection with the larger sacred landscape as well as gods and ancestors, and may protect its occupants from malevolent forces (Stross 1998:32).…”
Section: Discussionmentioning
confidence: 99%
“…We do not yet know if women have always been excluded from the direct act of sacrifice at Tallensi ancestral and destiny shrines, for in other ways the female presence is manifest in archaeological deposits in ritual contexts, as in the Tallensi earth shrine of Nyoo (Insoll et al, in press). Here, the deliberate deposition of numerous pots, seemingly a female product based on contemporary parallels (Smith, 1989), indicates a fundamental female contribution to the shrine. Furthermore, the use of pots -objects with female connections -in rituals imbues those rituals with some degree of female presence (Goodall, 2007;Insoll, in preparation b).…”
Section: ■ the Materialit Y Of Tallensi Destinymentioning
confidence: 98%