2011
DOI: 10.1080/17449855.2011.574835
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“…70 Girls who perform privately, for instance, can be judged as prudish or uptight; women who perform publicly can be judged as attention seeking, superficial, or "slutty." 71 Since it can be impossible for girls and young women to adhere to both sets of media expectations for gender performanceto simultaneously be private and "responsible" as well as public and "mediatized" -in response they can selfcensor or go offline, even at the expense of the increased social and economic opportunities associated with a greater online presence. 72 Conflicting media representations of how to "properly" perform femininity within online spaces and the pressures they can exert upon young women frame another false dichotomy: online self-portrayals as either "authentic" or "inauthentic."…”
Section: Authenticity Vs Inauthenticity: Body Image and Consumer-media Culturementioning
confidence: 99%
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“…70 Girls who perform privately, for instance, can be judged as prudish or uptight; women who perform publicly can be judged as attention seeking, superficial, or "slutty." 71 Since it can be impossible for girls and young women to adhere to both sets of media expectations for gender performanceto simultaneously be private and "responsible" as well as public and "mediatized" -in response they can selfcensor or go offline, even at the expense of the increased social and economic opportunities associated with a greater online presence. 72 Conflicting media representations of how to "properly" perform femininity within online spaces and the pressures they can exert upon young women frame another false dichotomy: online self-portrayals as either "authentic" or "inauthentic."…”
Section: Authenticity Vs Inauthenticity: Body Image and Consumer-media Culturementioning
confidence: 99%
“…Ringrose emphasized the role of intensified surveillance by the school peer group as the audience for whom the "heterosexiness" in profiles was produced. 71 The display of sexual confidence, heterosexiness, and availability online can in fact be understood as an expected, constitutive element of girls' selfbranding within the school gender "market." Indeed, Ringrose and Barajas suggest that girls' hypersexualized presentations on Bebo correlate with Gill's insight that postfeminist empowerment requires one to always appear "up for it," while simultaneously, control of one's sexuality in the school context meant sexual restraint.…”
Section: Surveillance Discipline and Postfeminist Identitymentioning
confidence: 99%
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