“…Indeed, collectively the published films represent an impressive diversity of styles. Many contributors still work in the compelling tradition of ethnographic "observational" film, often incorporating a mix of styles, while others delve into more experimental, often sensory approaches (e.g., Storaas, Jørgensen, and Waage, 2017). One of the published films focuses on a small Peruvian filmmaking team working in the horror movie genre to convey ideas about the pre-colonial Peruvian spirit world, while also themselves continuing to honor the mountain spirit in the filmmaking process (Horror in the Andes: Ayacuchean Cinema in-the-Making, by Martha-Cecilia Dietrich; Vol 4 No 02, 2020).…”