Editorial Introduction

Craig, Gary; Mayo, Marjorie

doi:10.1093/cdj/30.2.105

Cited by 12 publications

(7 citation statements)

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“…In the unique rede􀅫ining of the Esther narrative, Craig and Mayo (1995) offers a novel paradigm, throwing light on this often neglected and misconstrued tale. Craig argues that the real crux of the narrative resides in the literary carnivalesque, a genre that has been disregarded by scholars.…”

Section: Literature Reviewmentioning

confidence: 99%

The Politics of Inversion: Carnivalesque Subversion in Nobody Killed Her

Hanif,

Irshad,

Farooq Mann

2024

JMPHSS

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Carnivalesque subversion operates through the inversion of entrenched hierarchies and established doctrines. It dismantles the preconceived notions of power and authority. The present study employs Bakhtin's theory of carnivalesque founded in Rabelais and His World (1984) to unravel and dismantle entrenched paternalistic and political power hierarchies through the textual analysis of Javeri's (2017) Nobody Killed Her. Addressing the research void, the present study has employed both grotesque realism and laughter simultaneously to unfurl the embedded marginalization within these potent authoritative dynamics. While contemporary academic corpus has exhaustively investigated the carnivalesque grotesque and its subversive potency, a considerable gap exists in the scrutiny of how the fusion of grotesque realism and laughter within this paradigm can function as a revolutionary strategy for challenging enrooted power hierarchies and unveiling marginalized voices. Preceding studies often deliberate on either the carnivalesque or grotesque features individually, leaving uncharted grounds regarding their collaborative effect, speci􀅫ically in the backdrop of revealing and challenging patriarchy and marginalization. The present research is remarkable in its holistic perspective of the carnivalesque grotesque by applying the lens of grotesque realism and laughter simultaneously. By integrating these features, this study, through the textual analysis, strives to unearth the nuanced strategies in which laughter, as a subversive instrument within the carnivalesque grotesque, accentuates the intensity of grotesque realism in revealing power hierarchies. Moreover, the study peculiarly situates the carnivalesque grotesque as an active space where peripheral voices not only defy but dynamically reconstruct power mechanics through deliberate strategies of subversion and laughter. In this way, this research bridges an extant gap in the literature by furnishing the interplay between grotesque realism and laughter and af􀅫irms the collective potential of the carnivalesque grotesque for a radical social critique. This exploration utilizes carnivalinspired imagery to transcend and subvert conventional borders. By plummeting into the varied features of the carnivalesque grotesque, this study seeks to articulate its inherent potential as transformative agents, orchestrating a discourse that dismantles societal norms and inverses power politics.

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Section: Literature Reviewmentioning

confidence: 99%

The Politics of Inversion: Carnivalesque Subversion in Nobody Killed Her

Hanif,

Irshad,

Farooq Mann

2024

JMPHSS

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“…Community participation is closely related to community empowerment (Craig & Mayo, 1995). Participation is a condition in which the community participates in the process of identifying problems and dealing with them, as well as decisions or actions, that must be taken to deal with these problems (Craig & Mayo, 1995). Thus, participation can foster community's ability to develop independently and improve their welfare (Hammar et al, 2022).…”

Section: Community Empowerment As a Part Of Community Participationmentioning

confidence: 99%

“…Community empowerment is an effort to change people to be active, independent, able to think critically, able to control, and also responsible for improving the quality of their lives (Craig & Mayo, 1995). The community empowerment process can be implemented through three stages, namely: (1) awareness stage; (2) capacity building stage; and (3) empowerment stage (Sutawa, 2012).…”

Section: Community Empowerment As a Part Of Community Participationmentioning

confidence: 99%

Village Development Gallery (Vdg) of Pasir Mukti Village in Bogor Regency as a Village Development Exhibition Media

Mulyawati

Waskitaningsih

Syahbandar

et al. 2023

IJRCS

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Village planning and development currently demands the participation of villagers in developing village potential. Thus, the village government needs to properly socialize the products of spatial planning and village development plans to the villagers, so that they cares more about the development of their area. Unfortunately, many village planning and development products have not been properly socialized. On the other hand, the era of digitalization and the industrial revolution 4.0 demands the information disclosure that can not been met in the most villages. Most of villages currently have less communicative and less informative planning products due to the lack of information media and human resources to compile and present well their spatial planning and development products. Pasir Mukti Village has great economic potential with many metal craft MSMEs spread throughout the village and absorbing a large number of workers. However, the great potential of Pasir Mukti Village has not been fully publicly socialized. Therefore, it is necessary to have a forum or media for information development in Pasir Mukti Village, both in the form of spatial and development planning products, as well as village potential information. In addition, Pasir Mukti Village needs to improve human resource competencies in the preparation process to its dissemination.This community service program aims to empower villagers through several competency improvement trainings, as well as participatory preparation of village development galleries as educational nodes and dissemination of information related to spatial planning, development plans and village potential in Pasir Mukti Village. The objectives of this activity can be achieved through three main stages, including: (1) identification of community needs related to village development galleries and competence in preparing village spatial planning and development, as well as village potential; (2) preparation of village development galleries; and (3) training to increase the competence of the community, who will become managers of the village development gallery.As a result, the program received a very good response from the participants consisting of village officials, Village-Owned Enterprises (BUMDes), Family Welfare Development (PKK), MSME actors, and youth organizations (Karang Taruna). It can be seen from (1) their active participation during FGD and training; (2) their participation and volunteerism to donate a small portion of their MSME products to be displayed in the village development gallery; and (3) their willingness to participate in repairing and enhancing the quality of the gallery building, as well as providing the equipment. Furthermore, the trainees have quite high commitment, that can be seen from their enthusiasm in participating in the FGD and two series of full-time training.Based on the results of these activities, this community service program can (1) increase the knowledge of the Pasir Mukti villagers about the importance of a media/facility as an information center for spatial planning and village development, as well as a medium for promoting village products, education, and public interaction; (2) improve the quality of the human resources of the Pasir Mukti villagers, especially training participants consisting of representatives of village officials, BUMDes, and MSME actors, and (3) build a village development gallery as a new tourist destination in Pasir Mukti Village. Thus, it is hoped that in the long term, this activity can increase the income and welfare of the Pasir Mukti villagers.

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“…Dalam banyak teori pembangunan, disebutkan bahwa partisipasi masyarakat seringkali menjadi kunci keberhasilan dalam mencapai tujuan bersama dalam suatu kegiatan pembangunan (Bamberger, 1988;Midgley et al, 1986;Paul, 1987). Lebih lanjut lagi, konsep partisipasi ini juga dikembangkan secara lebih advanced menjadi pemberdayaan atau empowerment, dimana masyarakat tidak hanya dilibatkan secara fisiktapi juga dalam perumusan ide, gagasan dan pemikiran yang memberikan ekses pada keterlibatan penuh masyarakat dalam proyek tersebut (Adamson & Bromiley, 2008;Craig & Mayo, 1995;Midgley et al, 1986). Partipasi berbagai pihak akan membantu suatu pekerjaan menjadi lebih mudah, lebih banyak ide untuk menyelesaikan masalah, perasaan memiliki yang kuat, kemauan untuk mengambil peran dan tanggung jawab, serta membentuk ikatan antara pihak yang terlibat berdasarkan prinsip win-win solution.…”

Section: Kolaborasi Bpn Dan Seluruh Stakeholderunclassified

Pemetaan Tematik Dan Tata Ruang Kepulauan Lengkap Berbasis Sistem Informasi Geografis Agar Tercapainya Manajemen Pertanahan

Suprojo,

Rosyidi,

Pinuji

2021

ELIPSOIDA

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Kegiatan Pemetaan Tematik dan Tata Ruang (PTPR) dilaksanakan sebagai wujud penerapan manajemen pertanahan yang mencakup aspek tenure, use, value, dan land development. Seiring berkembangnya teknologi, kegiatan PTPR dilaksanakan dengan menggunakan Sistem Informasi Geografis (SIG). Penggunaan SIG dalam pemetaan bidang tanah akan menghasilkan informasi geospasial tematik yang terkomputerisasi, yang selaras dengan tujuan Kementerian Agraria dan Tata Ruang/Badan Pertanahan Nasional untuk menyelenggarakan pengelolaan pertanahan berbasis komputer yang berkepastian hukum dan produktif. Studi ini bertujuan untuk melakukan pemetaan tematik seluruh bidang tanah di Pulau Derawan, Kalimantan Timur, yang merupakan salah satu destinasi wisata yang memiliki reputasi internasional. Dengan melimpahnya kekayaan agraria di Pulau Derawan, diperlukan kepastian hak (rights), batasan (restrictions), dan tanggung jawab (responsibilities) dari tiap-tiap stakeholder yang berkaitan dengan pemilikan, penguasaan, penggunaan maupun pemanfaatan bidang-bidang tanah di pulau tersebut. Metode yang digunakan dalam penelitian ini adalah kuantitatif menggunakan pendekatan SIG. Data bidang tanah diidentifikasi menggunakan Unmanned Aerial Vehicle (UAV), sementara data tekstual dihasilkan dari kolaborasi seluruh stakeholder terkait P4T, yang meliputi pegawai BPN, pihak desa, dan masyarakat Pulau Derawan. Penelitian ini juga merancang geodatabase sebagai basic layers berbagai kegiatan tematik pertanahan. Hasil studi ini yaitu foto udara yang memiliki nilai CE90 sebesar 0,294 m akan dijadikan basemap kegiatan survey pemetaan, serta 14 (empat belas) jenis peta tematik yang terdiri dari (i) peta foto udara 2D, (ii) peta penguasaan tanah, (iii) peta pemilikan tanah, (iv) peta penggunaan tanah, (v) peta pemanfaatan tanah, (vi) peta administrasi dan tempat penting, (vii) peta sebaran bidang tanah, (viii) peta tata ruang, (ix) peta kawasan fungsional, (x) peta kemampuan tanah, (xi) peta lokasi sertipikasi tanah secara massal, (xii) peta masalah pertanahanan, (xiii) peta infrastruktur wilayah, dan (xiv) peta rawan bencana alam, (xv) peta bangunan 3D, dan (xvi) peta DSM.

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Editorial Introduction

Cited by 12 publications

References 0 publications

The Politics of Inversion: Carnivalesque Subversion in Nobody Killed Her

The Politics of Inversion: Carnivalesque Subversion in Nobody Killed Her

Village Development Gallery (Vdg) of Pasir Mukti Village in Bogor Regency as a Village Development Exhibition Media

Pemetaan Tematik Dan Tata Ruang Kepulauan Lengkap Berbasis Sistem Informasi Geografis Agar Tercapainya Manajemen Pertanahan

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